Category: PGR Summer Internship

Understanding the History of Fume Events through Oral History Interviews

Posted on by George Thomas

By Jenny Hutton, PhD History candidate, School of Humanities

Our series spotlighting PGR summer internship projects returns, as PhD History candidate Jenny Hutton tells us about working with Dr Stephen Mawdsley to examine the history of aircraft cabin air contamination. Since the 1950s, cabin air contamination has emerged as a serious concern for aircrew and passengers, as well as for manufacturers, airlines and policymakers. Their research is an important intervention on a subject with global reach.

This summer, over the course of eight weeks, I conducted a series of oral history interviews with pilots and flight attendants from around the world, who believe they were affected by toxic cabin air in commercial aircraft. The interviewees explained that exposure to fume events was harmful to their health and that the issue has a long history. Indeed, fume events are a phenomenon that date back to the 1950s when aircraft designers opted to draw breathable air for the cockpit and passenger cabin using “bleed air” from the engines, which can occasionally become contaminated by ultrafine particles, such as burnt lubricants containing toxic chemicals. These interviews contributed to the ongoing research of historian Dr Stephen Mawdsley:

“From my investigations on the subject, it is clear that the risks posed by fume events have concerned aircraft manufacturers, airlines, regulators, policymakers, aircrew, and their unions for decades, but there has not been a resolution to the issue. After reading the interview transcripts prepared by Jenny, I better appreciate the difficult and complex journeys experienced by pilots and flight attendants. There is so much to this story.”

I came to the internship with a strong interest in issues of disability, health, and air quality in manufactured environments. My PhD dissertation concerns the history of retrolental fibroplasia (RLF), a form of infant blindness caused by overexposure to oxygen in incubators from the 1940s to 60s. Like infant incubators, cabin air on commercial aircraft is an engineered environment. My PhD research therefore equipped me to appreciate the amazing design and engineering accomplishment involved with creating a safe and hospitable environment at 40,000 feet.

I prepared for the interviews by refining my oral history skills through a series of topical readings recommended by Dr Mawdsley, as well as acquainting myself with a growing body of scientific research on fume events. Although I am familiar with topics on the history of medicine and health, this was a new research area for me. There was a lot of information to digest on aircraft design, epidemiology, and toxicology, as well as the nature of commercial aviation. These important preparations meant that I felt ready to interview aircrew and gain insights into their professional and personal experiences with fume events.

Beyond preparations, I learned the most during my conversations with aircrew. I found that the level of detailed research that these people had undertaken into aircraft design and maintenance, the health risks associated with fume event exposure, and knowledge of scientific discoveries relating to this issue was incredible. In fact, I learned that many had ultimately become self-taught lay experts on the subject to better understand what had happened to them and to be able to advocate for themselves.

‘I found that the level of detailed research that these people had undertaken into aircraft design and maintenance, the health risks associated with fume event exposure, and knowledge of scientific discoveries relating to this issue was incredible.‘

The project is significant because fume events remain an ongoing issue in global commercial aviation. There are important regulatory implications since airlines, manufacturers and regulators are working to gather more data to better understand the issue. Moreover, this project speaks to health policy debates because pilots and flight attendants are working with physicians and toxicologists to better understand the nature and composition of fume events and their potential effect on the human body.

I am delighted that my oral history interviews have advanced Dr Mawdsley’s research. He has already published a peer reviewed research article on the topic and is building up a large collaborative research project with international stakeholders to investigate the origins, evolution, and debates surrounding the issue. He is also working with leading epidemiologist and preventative medicine physician, Prof Bruce Lanphear, who was a recent Bristol Benjamin Meaker Distinguished Visiting Professor. I am grateful for this opportunity to advance academic research at Bristol and to gain additional skills.

Jenny Hutton is a PhD History candidate with research interests in the social history of medicine and patient experiences, particularly in the UK and US. To find out more about the project with Dr Stephen Mawdsley, please contact jh15259@bristol.ac.uk. To read more PGR summer internship projects, visit ArtsMatter.

Virginia Woolf Encounters Naser al-Din Shah in London

Posted on by George Thomas

By Sajad Sotoudeh, PhD Film and Television candidate, School of Arts

In the final entry to our series spotlighting PGR summer internship projects, PhD Film and Television candidate Sajad Sotoudeh explains his collaboration with Dr Nariman Massoumi on a film essay that explored the perceptual experience of the flâneur in the metropolis. Flânerie refers to wandering through the modern city, a concept that has intrigued many thinkers, including Walter Benjamin, Charles Baudelaire and Guy Debord.

My collaborative project with Dr Nariman Massoumi centred on two historical figures: Virginia Woolf (1882-1941), a Western writer, and Naser al-Din Shah Qajar (1831-1896), the king of Iran, focusing on their flânerie in London in late nineteenth and early twentieth centuries. Virginia Woolf was an English writer who is considered one of the influential figures of modern literature. She wrote about the experience of the figure of flâneur in the modern city. Naser al-Din Shah Qajar, the monarch of Iran for fifty years, was also a photographer and writer interested in traveling to Europe and seeing the manifestations of Western modernity.

We were interested in drawing on and entangling their unique mobilised gaze of the city into a dialogue or conflict to initiate new interpretations of urban modernity, postcolonialism, and gendered perceptual experience. Our project aims to create a visual impression of their contrasting perspectives as they walk London in parallel, across time and space. Through the meeting of these two historical figures on film, a layered encounter across temporal, gendered, and cross-cultural lines is intended. Using formal experimentation, the film will seek to examine an alternative historiography based on a non-linear approach to uncover neglected moments in the history of everyday life.

In the initial phase, Dr Massoumi and I examined various texts regarding Virginia Woolf and Naser al-Din Shah Qajar, flânerie, perception, gender, and sexuality in the modern city. We shared our findings in numerous meetings, which helped us better understand each other’s perspectives.

Dr Massoumi’s expertise in the cultural conflicts and influences between Iran and Britain and post-colonial studies significantly contributed to solidifying my ideas. Furthermore, his experience in filmmaking, particularly his focus on archival practice research about the history of the British-Iranian confrontation, provided me with invaluable insights into translating theoretical ideas into visual concepts in filmmaking. Acquiring this skill was a significant milestone, as it enabled me to present my ideas in a medium (cinema) that reaches a wider audience. This not only expanded the impact of my work but also provided me with practical experience in the burgeoning field of practice-as-research in academia.

Naser al-Din Shah Qajar in a carriage during one of his trips to Europe.

Since this project is closely related to my dissertation topic on the history of flânerie in Iranian cinema and culture, it has enabled me to study and explore texts associated with the concept of flânerie in greater detail. This PGR Internship has also allowed me to go through my first filmmaking experience in the UK with Dr Massoumi’s guidance, face its challenges, and better understand how films are produced in the UK. These achievements will help me to continue my career path in the field of research as a practice in the future, which can provide me with better job opportunities.

Currently we hope to complete the essay film by the summer of 2025 and submit it to a wide range of international conferences and film festivals.

Sajad Sotoudeh is a PhD Film and Television candidate with research interests in Iranian cinema, haptic perception, gender and sexuality in cinema, flânerie, and urban modernity. To find out more about the project with Dr Nariman Massoumi, contact af23066@bristol.ac.uk. To read more PGR summer internship projects, visit ArtsMatter.

Cognitive Biases in Describing Biological Evolution: A Study of Popular Science and Social Media

Posted on by George Thomas

By Calum Sims, PhD Philosophy candidate, School of Arts

In the penultimate entry to our series spotlighting PGR summer internship projects, PhD Philosophy candidate Calum Sims tells us about working with Professor Samir Okasha to study the ways biological evolution is explained on social media. Taking for their subject crows, jays and ravens—birds known for their remarkable cognitive abilities—the pair examined Instagram videos to identify evidence for the presence or absence of bias when describing their behaviours, an important question in the study of philosophy of science.

Do you watch shorts and reels on social media? If, like me, you participate in this recently emerging trend, you have likely come across videos of animals. Carrying on the lineage from shows like ‘Animals do the craziest things’ and ‘Animal Planet’, videos abound of animals doing attention-grabbing stuff. Sometimes they’re being silly; sometimes they’re being cute; sometimes they’re being remarkably intelligent. What makes these videos attention-grabbing? What, if anything, do these videos have in common? And, perhaps most importantly, what effect do they have on popular understanding of scientific ideas?

Professor Samir Okasha and I chose to focus on corvids (crows, jays and ravens) because they are both prevalent on social media and a key research topic at the forefront of animal cognition. In this field, researchers document the ‘surprisingly intelligent’ behaviour of corvids and debate the nature of the cognitive machinery supposed to support it.

Corvids engage in a range of behaviours that suggest cognitive similarity to humans. To give a few examples:

  • They engage in pair-bonding ‘rituals’
  • They interact with other species for mutual benefit
  • They cache food in a way that is sensitive to the presence (and perhaps intentions) of members of the same species
  • They successfully solve multi-step puzzles for food rewards

Debate concerns whether the exhibition of these behaviours warrants attributing human-like cognitive capacities to corvids, and while intellectual currents seem to be moving in the ‘yes’ direction, the question is far from settled. Hence, we were curious to see whether videos of corvids on Instagram reflected this complexity, and hence how they bear on popular understanding of scientific ideas.

It soon became apparent that the videos, which showed animals engaged in surprising and interesting behaviours, contained some well-known biases that traditional biology education normally attempts to mitigate away. In somewhat romantic fashion, the language in the videos treated the animal’s behaviour in anthropomorphic, teleological and essentialist terms: that is, it uncritically assumed that the behaviours on display were caused by the animals having certain intentions and goals and acting for the same sorts of reasons as humans.

This allowed us to connect our research to a prominent debate in the philosophy of science education concerning whether this sort of language use should be conceptualised as ‘biased’. The patterns of speaking outlined above (which, according to the debate, could either be called ‘biases’ or ‘cognitive construals’) lead systematically to errors in biological thinking. Because of this, researchers have traditionally attempted to structure science education in such a way as to eliminate them. However, a growing counter-current argues that these thinking patterns, while sometimes problematic, are a useful and maybe even essential part of human reasoning, to be accommodated by educational strategies rather than eliminated from them.

The novelty of our contribution consists in applying this question to the domain of social media. Here, biases appear to have a dual role: they seem to get in the way of good biological thinking, but they also seem to drive attention and engagement towards scientific topics. So, how do we get the good without getting the bad? A prominent line of reasoning (Coley and Tanner 2012) suggests that supplementing these construals with opportunities for reflection and critical analysis – essentially, asking viewers to reconstruct, query and debate their explanations of behaviour – could improve scientific understanding without detracting from engagement. We concluded by suggesting that such interventions could be made in the descriptions of the videos in question, by pointing to areas of uncertainty in the research field or asking questions to viewers directly.

On the whole, this project was incredibly useful for clarifying the role of social media in science communication and beginning to systematise the contribution of videos to this goal. Going forward, we will continue to look at ways that boosting metacognition can help to promote the benefits outlined above.

Calum Sims is a PhD Philosophy candidate with research interests in animal cognition, metacognition and cultural evolution. To find out more about the project with Professor Samir Okasha and view the data captured as part of the research, please contact cs15522@bristol.ac.uk. To read more PGR summer internship projects, visit ArtsMatter.

Navigating Authenticity: Hearing from Disabled Children’s Authors

Posted on by George Thomas

By Daniela Rozental, PhD Creative Writing candidate, School of Humanities

In the latest entry to our series spotlighting PGR summer internship projects, PhD Creative writing candidate Daniela Rozental tells us about working with Dr Jo Nadin to explore the role a disabled author’s lived experience plays in their writing. By conducting in-depth interviews with published disabled children’s authors, the research examined key issues such as accuracy and authenticity, ableism and internalised ableism, providing valuable insights that will help empower disabled writers in the future.

One of the key issues I have identified during my practice-led creative writing PhD is my struggle as a disabled children’s writer to find a balance between writing authentically and writing responsibly. My thesis explores my own writing process, but I was keen to look further and hear from other disabled writers.

Over the summer I was fortunate enough to participate in the Arts Faculty PGR summer internship scheme. I knew some other students who had taken part in previous years, but it was only now in the third year of my PhD that I felt confident and prepared enough to apply for it myself. Alongside Dr Jo Nadin, one of my PhD supervisors, we took the opportunity to work on a research project we had both been wanting to undertake for quite some time.

Good Different by Meg Eden Kuyatt, one of the authors interviewed by Daniela & Jo, has been praised for its authentic portrayal of autism, helping young people to appreciate neurodiversity.

Our main goal for the project was to interview disabled children’s authors on their attitudes towards writing stories that incorporate elements of their own lived experiences. We also sought their thoughts on authentic and responsible writing, ableism and accessibility in the publishing industry, and what advice they had to offer other disabled writers. Our topic was unique enough to stand alone from my PhD research, but relevant enough that our findings might inform my thesis going forward, as well as Jo’s own creative and critical practice.

When the internship began we were proactive and eager to get started, immediately getting to work on establishing our research objectives, drafting interview questions, and planning out the best ways to disseminate our eventual findings. It wasn’t long, however, before we reached our first stumbling block –ethical approval.

The internship was my first experience conducting interviews as academic research, so I was learning a lot on the job. The process of submitting an ethics application and waiting for approval took a lot longer than I had anticipated. My advice to future interns conducting this sort of research would be to put in your ethics application before the internship start date in order to maximize your internship experience.

Rapids by Anna Bowles and Cursed by Karol Ruth Silverstein bring attention to the lived experiences of disabled individuals. Both novelists were interviewed by Daniela and Jo.

Nevertheless, once we did receive ethical approval, we immediately got to work seeking participants and setting up interview dates. All in all we were able to secure six interviews (five over video call and one over email). The interview process was the real highlight of the internship for me. It was an honour to meet with our participants and create a safe space for them to share their experiences with us. I felt myself grow in confidence as the interviews progressed, and found myself falling in love with conducting interview research. I would leave one interview buzzing with ideas and eager to get started on the next. We gained some really valuable insights that will hopefully go on to help empower disabled writers in the future.

This research might not have been possible without the internship scheme, and I am very grateful to the Arts Faculty, and to Jo Nadin in particular, for the opportunity to work on something so meaningful.

Daniela Rozental is a PhD Creative Writing candidate, investigating ways for disabled authors to write authentic and responsible depictions of disability in children’s fiction. Daniela and Jo will be presenting some of their findings at Leaf Journal’s ‘On Writing for Young People’ conference (24-25 October). To find out more about the project, contact xs21605@bristol.ac.uk. To read more PGR summer internship projects, visit ArtsMatter.

Fostering Inclusivity in Mountain Biking

Posted on by George Thomas

By Emma Frazer, PhD Hispanic, Portuguese and Latin American Studies candidate, School of Modern Languages

To continue our series spotlighting PGR summer internship projects, PhD Latin American Studies candidate Emma Frazer tells us about working with Professor Martin Hurcombe and Associate Professor Fiona Spotswood on their interdisciplinary project, Fostering Inclusivity in Action Sports. With the project at an advanced stage in engaging with audiences beyond academic circles, Emma reflects on the invaluable lessons the experience has offered in developing and presenting her own research.

Over the summer of 2024, I conducted a six-week PGR internship with Professor Martin Hurcombe and Associate Professor Fiona Spotswood. I had previously assisted them with an event called Game On, which involved a documentary-screening and academic discussion group on women’s sports. This internship provided me with the opportunity to continue working with them. They have created a framework that works on Fostering Inclusivity in Action Sports (FIAS), with a focus on women in mountain biking.

My PhD is researching the ways in which playing football empowers women beyond the pitch, exploring the cases of Buenos Aires and Rio de Janeiro, where I conducted my ethnographic research. The FIAS project has also used ethnographic research, and is again exploring women in sports, but it is further along than my own research, which means it has provided me with a really useful insight into how my work could develop in the future.

In particular, during my internship, the FIAS project has been at the stage of working on impact and dissemination by exploring case studies and reaching out to wider audiences. They have been experimenting with different ways to present their findings within the mountain biking community and beyond, including sporting institutions, stakeholders and policy-makers. It has been invaluable to learn how projects can progress from the research stage and be disseminated to a wider audience, beyond academic circles, and how the impact of that can begin to be measured too.

The Fostering Inclusivity in Action Sports (FIAS) Framework SnapshotDownload
  • To navigate through the framework, use the grey bar on the right hand side of the screen.
  • To view the framework in full screen, right click the above hyperlink and select first option.

My internship began with me working with their framework in the form of editing a presentation, as well as a short and long framework. By presenting their work in different formats of different lengths, I was able to see how the work can be adapted depending on the audience and the objective, with varying amounts of detail included. It also showed me the importance of strong, cohesive messaging, as well as clear, actionable goals. From there I developed a two-pager document myself for the project, which can be disseminated to organisations and stakeholders, but which can also be used as a policy brief.

Following the two-pager, I wrote up case studies of different women’s mountain biking organisations who have used the framework. This was a useful process as it showed me how I might include the case studies from my own ethnographic research within my PhD, as well as how they can be presented in the future dissemination of my work. 

(L-R) Associate Professor Fiona Spotswood chairs a panel discussion with Sue Anstiss MBE, Aneela McKenna (Mòr Diversity), Aoife Glass, Zoe Woodman and Professor Jean Williams.

Finally, I was involved in the marketing strategy for how to effectively reach different audiences with the framework. Having done some research, it was clear that direct messaging to members of different mountain biking and action sports organisations would be the most effective method. These can range from local groups, such as Women Ride Bristol, to cycling institutions, such as British Cycling. I then reached out through various groups to pass on the framework.

As a result of the internship, I have been able to learn the dissemination process of academic work to a wider audience, as well as how to provide the tools so that the research can have an impact in the real world, and how to measure any impact it might have.

Emma Frazer is a PhD Latin American Studies candidate with research interests in Latin America, sports, gender, empowerment, and ethnographic fieldwork. To read more about the FIAS project with Professor Martin Hurcombe and Associate Professor Fiona Spotswood, including the recently launched toolkit and framework, visit the project website and Instagram. To read more PGR summer internship projects, visit ArtsMatter.

Punk-up-the-Publication: Amplifying Community Voices through DIY Zine Culture

Posted on by George Thomas

By Peter Baxter, PhD History candidate, School of Humanities

Next in our series spotlighting PGR summer internship projects, PhD History candidate Peter Baxter tells us about working with Professor Hilary Carey and vibrant communities in the London Borough of Brent to co-produce a zine that confronts the legacies of British colonialism. Drawing inspiration from the punk ethos of ‘Do-It-Yourself’ (DIY), the research harnessed grassroots creativity to engage with the British Empire Exhibition, held in Wembley in 1924 and 1925, and spark conversations about decolonisation.

From Action Research to Zine Production

This project stemmed from my involvement in the National Lottery Heritage Fund (NLHF) project, ‘Becoming Brent’, which examines the British Empire’s legacy, the realities of racism, and how colonial hierarchies still affect communities today.

My aim for the internship was to apply the D.I.Y. ethic to co-produce a zine with the public and use the activity as a critical examination of colonial legacies, particularly those tied to the British Empire Exhibition. The punk subculture’s D.I.Y. ethic – where stuff is self-made and mutual aid is encouraged against the dogma of market forces – provided the perfect framework for this endeavour. As the punk movement has shown, D.I.Y. media can play a crucial role in agency, social activism and in amplifying marginalised voices in a way that rallies and inspires others.

Public Irreverence zine produced by Peter and his collaborators.

  • To navigate through the zine, click on the arrow icons in the bottom left and right of the zine.
  • To view the zine in full screen, click on the icon in the top right of the zine.

The Zine as a Tool for Resistance

Zines are cheap to make. Recycled, found objects, paper and glue can put the power of the press in anyone’s hands. This lo-fi, D.I.Y., assemblage approach not only rips up the criteria of publisher submission rules, it also offers a raw, gritty aesthetic that makes zines tangible, contingent and rebellious. And when created communally something richer emerges.

If the written word is the most important part of the book, then the zine is a paper cut to AUTHORity. And if history is cherry-picked by the oppressor, then cut-and-paste is the tool of resistance for the oppressed. This view took root in my mind after discovering Sniffin’ Glue – a fanzine created by Mark Perry in 1976 which spawned hundreds of imitators. (I was born in 1977 – so I count myself among them). With the zine the perfect medium for achieving my aim, I took to the streets of Harlesden, Willesden, and Wembley where I invited the community to join me to communicate with history creatively.

Challenges and Community Engagement

Taking to the streets of Brent with ephemera from the Brent Museum and Archives, I spoke to several people who had not visited Brent Museum before, some people didn’t know there is one. However, initial responses were sparse and mostly irreverent, and I felt this reflected the time I allocated in the project to co-produce a zine with the people I met. Given the complexity and emotional weight of engaging with colonial history this should have been a very apparent consideration from the outset.

However, this lack of initial public response did not deter the project. I turned to the Brent Museum and Archives where I accessed oral history recordings. One was of an elderly woman named Margaret Bird, who visited the British Empire Exhibition with her father at the age of 11. Her poignant interview provided inspiration for a zine about butter sculptures which were displayed at the Exhibition. The archive mitigated my failed attempts to engage the community meaningfully at this point. Other zines were produced from ephemera found there.

Butter Sculptures zine produced by Peter and his collaborators.

  • To navigate through the zine, click on the arrow icons in the bottom left and right of the zine.
  • To view the zine in full screen, click on the icon in the top right of the zine.

Collaboration with Becoming Brent’s Decolonisation Consultant

During the zine’s production, I was collaborating with Devika, Decolonisation Consultant on the ‘Becoming Brent’ project. We explored ways to bring aspects of the work to the public through learning activities. One significant outcome of this collaboration were some workshops where participants created collages on postcards using facsimiles of original Exhibition postcards and discarded contemporary local newspapers and magazines. This activity symbolised the reclamation of history, transforming colonial imagery into dialogical tools for critique. It significantly deepened the impact with the community ensuring their voices were better represented.

I initially wanted a zine that captured the challenges and complexities of confronting colonial legacies while also celebrating the community’s resilience and creativity. A key strength of this project was the creative input from colleagues on the Becoming Brent project and community members. Future postcard workshops and contributions can now form the collective content of zine production, making it a more collaborative effort.

Postcards in Perspective zine produced by Peter and his collaborators.

  • To navigate through the zine, click on the arrow icons in the bottom left and right of the zine.
  • To view the zine in full screen, click on the icon in the top right of the zine.

Building on the Success of Collaboration

Building on the success of this project, I will explore the role of creative learning in heritage engagement, with a particular focus on decolonisation and community storytelling. By continuing to work closely with communities and creative practitioners, I aim to produce a zine that will not only document this journey but also serve as a resource or toolkit for others interested in using D.I.Y. media for community participation.

Peter Baxter is a PhD History candidate whose research interests focus on comparing community and collaborative history projects in Britain and Australia. To find out more about the project with Professor Hilary Carey and the zines created by Peter and his collaborators, please contact peter.baxter@bristol.ac.uk. To read about more PGR summer internship projects, visit ArtsMatter.

Voices in Iranian Folk Music

Posted on by George Thomas

By Hadi Rahmani, PhD Music candidate, School of Arts

Continuing our series spotlighting PGR summer internship projects, PhD Music candidate Hadi Rahmani tells us about working with Professor Michael Ellison to uncover and study endangered vocal music in his native Iran. As Hadi explains, carrying out this research is vital for ensuring these unique cultural expressions endure for generations to come.

Iran, a land steeped in history and culture, resonates with a diverse array of folk music traditions that reflect the country’s geographical and cultural richness. During this project, I explored the depths of these traditions, uncovering a mosaic of voices that span different regions, each with its own unique flavour and significance.

Overview of Iranian Folk Music

Iran’s folk music reflects the country’s rich cultural diversity, spanning various regions and linguistic traditions. My research covered Azerbaijan, Northern Iran (Talesh, Gilan, Mazandaran, Turkman Sahra), Kurdestan, Khorasan, the Zagros region (Lorestan, Bakhtiyari, Qashqai), Southern Iran (Khuzestan, Bushehr, Hormozgan), and Baluchestan, as well as Zoroastrian music from Central Iran. This diverse musical heritage includes languages from the Turkic family (Azari, Qashqai, Turkmen), Iranian languages (Lori, Kurdish, Taleshi, Gilaki, Mazani, Baluchi), the Semitic family (Arabic), and local dialects like Bakhtiyari and Bushehri (Bandari). These regional and linguistic variations contribute to the richness and complexity of Iranian folk music, making it a vital area for preservation and study.

Different Functions of Folk Songs in Iran

Iranian folk music serves a variety of functions, reflecting the cultural and social fabric of the country. These functions include dance music, which energizes social gatherings; lamentation songs, which express grief and sorrow; and ritual music, integral to religious and cultural ceremonies. Therapeutic songs, such as Zār, are used for healing, while Sufi music facilitates spiritual experiences. Epic and storytelling songs preserve historical and cultural narratives, and work songs coordinate collective labor. Additionally, ceremonial songs accompany events such as weddings and other significant life milestones, highlighting the multifaceted roles of folk music in Iranian society.

Connection to My PhD Research and Impact on Composition Work

The exploration of Iranian folk music has been instrumental in my PhD research on counterpoint within Persian traditional music. Many of these folk traditions are closely related to the Dastgah system (Dast meaning hand and Gah meaning a specific place), enriching my understanding of modal structures and their potential for polyphonic development. However, some folk traditions diverge from the Dastgah, offering unique modal qualities and rhythmic patterns that inspire innovative compositional techniques. The modal diversity and rhythmic intricacies of these folk songs, along with their elaborate variations, provide a profound source of inspiration, allowing me to incorporate authentic Iranian elements into my contemporary compositions, bridging traditional and modern musical expressions. Engaging deeply with Iranian folk music has not only expanded my research skills but also broadened my cultural horizons. It has prepared me for the collaborative nature of academic publishing, as I worked to synthesise these findings within a broader scholarly context. I’ve gained profound insights into the neglected folk traditions from remote corners of Iran, fostering a deeper appreciation for the country’s musical heritage and its socio-cultural significance.

Interdisciplinary Connections and Challenges in the Research

Conducting research on Iranian folk music has revealed significant interdisciplinary connections and challenges. Ethnomusicology, sociology, psychology, music therapy, and history intersect in this field, highlighting the rich cultural and social contexts of the music. However, a major challenge is the lack of resources, particularly academic works and expert analyses of folk music, many of which are in danger and require urgent preservation. This scarcity necessitates extensive fieldwork and primary data collection, which, while enriching, can be time-consuming and complex. Despite these obstacles, the interdisciplinary nature of this research offers a comprehensive understanding of Iranian folk traditions and their broader implications. Through this internship, I was able to utilise my knowledge of Iranian music to uncover and study regional voices and source recordings, providing key insights that will contribute to both the Centre for Asian Music Studies and the groundwork for future research in contemporary ensemble performance and composition.

In conclusion, my journey into Iranian folk music has been transformative, offering profound insights into its cultural tapestry and enriching my academic pursuits. Many of these folk traditions are in danger of being forgotten and require more attention to preserve them. I am excited about the future potential of this research, both in advancing scholarly discourse and contributing to the preservation of Iran’s diverse musical traditions. Research like this is vital for ensuring these unique cultural expressions endure for future generations.

Hadi Rahmani is a PhD candidate in Music Composition, focusing on polyphony within Persian traditional music. His research delves into the modal and rhythmic structures of Iranian folk traditions, exploring their potential for contemporary composition. To find out more about the project, please contact hadi.rahmani@bristol.ac.uk. To read more PGR summer internship projects, visit Arts Matter.

The Long and Winding Prosecution of Red Terrorism in Italy: A Database of Trials

Posted on by George Thomas

By Tom Baker, PhD Italian candidate, School of Modern Languages

In the first of a new series spotlighting PGR summer internship projects, PhD Italian candidate Tom Baker tells us about working with Professor John Foot on the Italian terrorist trials of the 1970s and 80s. Together, they created a database of trials mapping the activity of armed Left-wing groups who sought to overthrow the Italian state.

I undertook a PGR internship under the supervision of Professor John Foot during the summer of 2024. We worked together over the course of six weeks researching and documenting the trials of those accused of acts and affiliations in relation to ‘Red’ terrorism (perpetrated by armed Left-wing groups) in Italy during the ‘Years of Lead’. The ‘Years of Lead’, from roughly the 1970s through until the mid-1980s, was a period of societal unrest, with both Left- and Right-wing armed groups carrying out targeted assassinations, kidnappings, robberies, opportunistic shootings and bombings. After a terrorist act, it was often unclear which group was responsible, let alone which individuals within the group were involved. Thousands of such incidents required thorough investigation and unravelling, much like the complex networks of the terrorist groups themselves.

The photo above was taken by Paolo Pedrizzetti in Milan during the ‘Years of Lead’. The young man in a ski mask (centre) was a member of a far-left organization which pulled out their pistols and began to shoot at the police, killing policeman Antonio Custra on May 14, 1977.

There were many changes to Italian law to overcome terrorism in Italy. Changes to procedures, how long and where an individual could be detained, a tightening of prison facilities (to arrest the rash of breakouts) and special bomb proof court rooms with cages constructed. The starting point for our research begins after a notice for arrest was issued. Using digital archives of trial material, newspaper archives, books, interviews and other sources we began to piece together the complex tapestry of the Italian state’s attempt to prosecute the armed Leftist groups.

The project is an important one, as our research shows there exists no complete database of the hundreds of trials of accused Leftist terrorists in Italy. The fact that we focused on red terror as opposed to both red and black (Right) terror significantly focused the research, as to attempt both would dilute the project given the time constraints. As for a timespan, we decided on 1974 – marked by the arrest of the historical leadership of the Brigate Rosse (Red Brigades), the largest Left terror group during the Years of Lead – to 1994, when the Autonomia Maxi trial concluded. This trial was part of a broader legal process that began in 1979 and involved individuals accused of being the ideologues behind left-wing terrorism. A maxi trial, now more familiar with Mafia trials, is a good example of the changing procedures in judicial process during the Years of Lead. Several hundred people would be tried together under extreme levels of security. This security was necessary as several trials were postponed as Left-wing terrorists targeted and killed judges to halt the prosecution of their comrades and the revolution. Even today, trials of some Left-wing terrorists in Italy remain unheard, as the Italian state continues to seek extradition of individuals believed to be responsible.

A photograph from the trial of the historical leadership of the Brigate Rosse (Red Brigades) in Turin, 1976. The defendants, often caged, refused to recognise the court’s legitimacy and regularly attempted to disrupt proceedings.

Given the time constraints we faced and the sheer volume of material we decided it was best that I first focus on listing where this trial material can be found, so this project has an easy access point for continuity. Following this I researched individual acts of terrorism, read newspaper archives (il Manifesto, Il Messaggero, La Repubblica, Corriere della Sera) for police appeals and reports, the arrested suspects and their subsequent trials. From here, I would note the dates of the trial, in which court the trial took place, who the judges were and the outcome to build the database. Some individuals, particularly those most active in their organisations, appeared in court over a dozen times. Their sentences would often change, there were appeals, overturned convictions and a change to their status – such as benefitting from a law passed in this period for dissociation with armed struggle leading to a much lighter sentence.

On a personal note, starting an exciting project from scratch has helped me further develop my research skills and I have enjoyed the opportunity of working closely with my supervisor. We hope that this research will be a starting point in the complex process of collating the terror trials in Italy, bringing together the fragmented yet interconnected legal processes which ultimately ended in success for the state.

Tom Baker is a PhD candidate in the School of Modern Languages with research interests in labour history, deindustrialisation, transformation of work, social movements and oral history. To find out more about the project and database created with Professor John Foot, contact ks21162@bristol.ac.uk. To read more PGR summer internship projects, visit Arts Matter.

Woodblocks, Inky Fingers, and Lots and Lots of Tea: Bristol Common Press Summer Internship, June – July 2022

Posted on by George Thomas

By Fiona Feane, PhD History of Art candidate, School of Humanities

With Bristol Common Press celebrating the return of the Albion, a 200-year-old printing press beautifully restored following a successful crowdfunding campaign, we caught up with PhD candidate Fiona Feane to learn about another interesting story from its history: her 2022 summer internship.

Although Bristol Common Press has been in existence since 2021, much of the printing materials were, as of June 2022, still to be sorted. Enter the interns! As my research focuses on woodcuts, I considered myself very lucky to get the opportunity for some practical experience, and so I was tasked with sorting and cataloguing woodblocks. Naively, I believed that the cataloguing part could be done in the first three or four weeks, with the final two or three weeks devoted to creating some aesthetically pleasing project, or background research. More on that later…

The first week was given over to learning the process of printing using the metal letterpress type, from compiling the text (an ability to read both backwards and upside down is a helpful skill here), to printing, and then distributing the type back in the right compartment of the right case, in a process known as ‘dissing’. By the end of the week I had a new-found admiration for printmakers; not only is printmaking a fiddly, time-consuming process, but they do not get to sit down.

 

 

 

 

 

 

 

 

 

 

 

The second week I was let loose on the woodblocks. At first I felt like a kid at Christmas, with plenty of boxes to open. But, as box after box was placed in front of me, the enormity of the task finally dawned. Still, plenty of gorgeous blocks to coo over, so I got going. I first did a rough manual print of all the blocks, a messy process during which I learnt that hand sanitiser gets ink off most things, including tables, but not hands. I used these prints to categorise the blocks, a very fluid and subjective process (read: make it up as I go along).

 

Once the categories and sub-categories were finalised, it was time to begin printing the catalogue. This is where I learnt how much of an effect tiny differences in block height could have, that some blocks were really hard to print cleanly due to the shallowness of the relief, and that a clean print from practice paper does not guarantee a clean print from the good and much more expensive paper. In short, printing is a long and frustrating process involving lots of trial and error (and paper), but so rewarding when it goes well!  My plan was to print all the blocks within their sub-categories, then manually typeset headings at the top of each page and dividers between each category. But, with literally hundreds of blocks, it was an impossible task to get done, or even half done, in six weeks. What it’s shown, as someone who researches illustrated documents, is how skilled a job it is to incorporate both, even within cheap print.

By the end of the internship, I had produced many sheets of images of which I am very proud, and which show the richness of the resource that’s available. There’s everything from images of circus performers to farm animals, from people at work and leisure to decorative patterns, and lots in between. So, although I haven’t finished my project, I will be back to continue it, just as soon as they let me.

Update: As of December 2023, I have returned to the BCP in order to complete my training as a Printer’s Devil, and have also run the first of hopefully many PGR Printing Workshops, alongside Shauna Roach. No further with the catalogue printing though!

Fiona Feane is a PhD History of Art candidate with research interests in the representation of women in seventeenth century popular print, in particular broadside ballad woodcuts. Her thesis also covers seventeenth century fashion and theatrical costume, and the relationship between image and text. To find out more about Fiona’s research, please contact fiona.feane@bristol.ac.uk. To find out more about Bristol Common Press, please visit https://bristolcommonpress.blogs.bristol.ac.uk/.

How a PGR Internship Prepared Me for Publishing a Co-Authored Article

Posted on by George Thomas

By Alice Kinghorn, PhD History candidate, School of Humanities

As PhD History candidate Alice Kinghorn’s co-authored article with Professor Hilary Carey appears in the latest edition of the Journal of Colonialism and Colonial History, we caught up with Alice to find out how her experience as a postgraduate research (PGR) intern prepared her for publishing in an academic journal.

I undertook a PGR internship under the supervision of Professor Hilary Carey in June/July 2022. We worked together over the course of five weeks to co-author an article on the slave-owning missionary, James Curtin. Curtin is a figure that incorporated both of our scholarly interests, as a Catholic convert who travelled to Antigua as a Protestant missionary in the early nineteenth century.    

After creating an initial plan together, we each set off on our own research tasks. I visited Lambeth Palace Archives, where I had the opportunity to carry out investigative research that has been restricted during the period of the pandemic. Following our individual research, we shared notes and drew up a plan. Using a shared document and with regular meetings, we took to writing up the article.    

 

 

 

 

 

 

 

 

 

One of the biggest challenges during my internship has been to keep a narrow enough focus when researching and writing collaboratively. Our individual research disclosed many interesting accounts, and our initial draft ending up being over twice the journal’s word limit. Consequently, the editing process was challenging. Nonetheless, after lengthy edits, I believe I have improved my ability to write clearly and concisely for an academic audience. Together we co-wrote and co-edited the article, and submitted for publication to the Journal of Colonialism and Colonial History, which the article on James Curtin features in. 

The opportunity to write a jointly authored article with Professor Carey has supported me immensely as a postgraduate researcher. I have gained valuable experience in the academic publication process, including selecting an appropriate journal and writing a concise piece that whilst related to my thesis, is separate to my main research. I feel more confident going into the publication process in the future following this internship, and I am grateful to have had the opportunity to explore this with the support of my supervisor.  This internship engendered success through its published research output, which is my first published article in an academic journal.

 

Alice Kinghorn is a PhD History candidate with research interests in Anglican missionary societies and transatlantic slavery. Alice’s co-authored article, ‘The History of James Curtin: Catholic Priest, Protestant Missionary, and Pariah of British Proslavery, 1765-1845’, can be read in the Journal of Colonialism and Colonial History, vol. 24, no.2, Summer 2023.