Category: #research

2024 Wrapped: Faculty Research Centre Highlights and Looking Ahead

Posted on by George Thomas

By George Thomas, Faculty Research Events and Communications Coordinator

As 2024 draws to a close, we caught up with some of our Faculty Research Centres and Groups to learn about their highlights from the academic and calendar year, as well as activities they are particularly looking forward to in 2025. This year’s blog is presented in two parts: one focusing on our Faculty Reseach Centres, the other on our Faculty Research Groups. To find out more about their research and how to get involved, contact details, social media accounts and website links are provided at the end of each entry.

Centre for Black Humanities

The Centre for Black Humanities has had a fantastic start to the 2024/5 academic year! We kicked things off at the end of the summer with a wonderful workshop session featuring our University of Cape Town-Bristol Fellow Dr Shanaaz Hoosain. The workshop, which explored themes of memories and identities in Dr Hoosain’s work, was co-convened with the Black South West Network (BSWN) and generously hosted in their incubator space. It was a rich event that invited participants to think through different global and local practices for co-creating heritage spaces with diverse communities. It also opened up new avenues for thinking about the BSWN’s UnMuseum project, which we are really excited to see! Whilst Dr Hoosain has now returned to UCT, we look forward to welcoming her back to Bristol in the Spring.

KMT, Maria Fernandez Garcia and MoYah discuss hip hop and gardening as forms of creative expression in the second Autumn Art Lecture at the Royal West of England Academy (RWA).

Across the Autumn, we have been busy hosting the 2024 Autumn Art Lecture Series. A longstanding highlight of the cultural life of the University, the Autumn Art Lectures have taken place every year (with exceptions for World War II and COVID) for more than a century and it was an honour to be asked to convene this year’s iteration. Under our theme ‘Creation & Liberation’, we brought together a rich and interdisciplinary chorus of speakers who invited the public to consider the potential for liberation offered by creativity in all its forms. Across four events that took us from the unexpected intersections of hip hop and gardening to the history and legacies of the Tudor court musician, John Blanke, we examined the threads of power, protest and art-making that weave together across the work of artists, writers and musicians. We have moved from Bristol’s Central Library to the RWA’s garden and from the local Jungle scene to celebrated novelist Monique Roffey’s imaginary island of St Calibri to celebrate artistic expression that challenges, uplifts, and liberates. It has been wonderful to showcase the amazing work being done by Centre members who have contributed to the series by organising lectures and chairing discussions. A special shout out to PhD students Lizzie Bowes and Marko Higgins for their stellar work on kicking off the series brilliantly and to Dr Leighan Renaud for wrapping it all up beautifully in her discussion with Monique Roffey!

Listen to DJ Krust talk about his life and career in the first Autumn Art Lecture at Bristol Library.

As we wind down TB1, we look forward to an equally active TB2. As the Centre celebrates a decade since its founding(!), we have been reflecting on our past, present and future(s). We have been thinking through the possibilities and implications for the work that we do after not only the fall of Colston, the murder of George Floyd and the reinvigoration of the Black Lives Matter Movement, but also after the race riots of this past summer and the closure of Black Studies and Black Studies-adjacent courses across UKHE. Watch this space for a programme of events and activities that we have planned over the next year to respond to these challenges and imagine a new future for the Centre for Black Humanities.

To find out more about the Centre for Black Humanities, please contact elizabeth.robles@bristol.ac.uk. Follow the Centre’s X account for the latest updates.

Centre for Medieval Studies

The two halves of the academic year highlight two different sides of the Centre for Medieval Studies (CMS): the first semester was full of visiting professors and the second will be filled with conferences. CMS hosted three distinguished visitors in TB1. Professor David Scott-Macnab (North West University, South Africa) was based at CMS as Leverhulme Visiting Professor (September-December). He enthused undergraduate students with a lecture on Gawain, gave masterclasses on editing to the English medieval research group and to the PhD students of the EU/UKRI-funded Doctoral Training Network REBPAF, and delivered the Annual Tucker-Cruse lecture. Visiting us from the University of Leiden and funded by Bristol’s Next Generation Visiting Researcher programme, was Dr Jelmar Hugen, a specialist in Middle Dutch literature, who gave a lecture on the literary history of Gawain to undergraduates and presented his current research on responses to the Grail story in our regular series of seminars. In partnership with the Italian Department, CMS also hosted Nick Havely (Professor Emeritus, University of York). As well as giving a fascinating and very well-attended talk for the Centre, pictured below, Prof. Havely co-taught Tristan Kay’s seminar on Dante’s Inferno in the Department of Italian; met with PGR students working in fields connected to his expertise; and gave an interview for the Italian student publication La Civetta. 

Emeritus Professor Nick Havely delivers a lecture on Dante Alighieri before an audience.

2025 promises another rich programme of activities for our Centre. Nine CMS seminars are already scheduled for the second half of the current academic year, with speakers visiting us from leading UK and international institutions. We will host six major interdisciplinary conferences, including the Medieval English Theatre Society conference (29 March 2025), the French of the Celtic Worlds conference (9-11 April 2025), the Historical Sociolinguistics Conference (21-23 May 2025), the International Arthurian Society conference (September 2025), and the latest iteration of the hugely successful PG conference in medieval studies (24-25 April 2025). The CMS has also begun planning the large International Conference for Medieval and Renaissance Scottish Language, Literature, and Culture (Bristol 2026: icmrsllc.org).  The CMS will again be well represented in sessions and a reception organized at the Leeds International Medieval Congress in the summer. Existing partnerships with Bristol Central Library and Bristol Archives are ongoing and will culminate in the publication and launch of the catalogue of manuscripts in the city of Bristol (forthcoming in the CMS publication series with Boydell and Brewer), as part of Kathleen Kennedy’s British Academy-funded Cataloguing Bristol Manuscripts project. Impact activities with partner institutions such as Wells Cathedral, Aardman Animation, and Winterbourne Medieval Barn are also planned for 2025. An inaugural Summer School in Medieval Studies will bring students from around the world to study in Bristol in June. 

To find out more about the Centre for Medieval Studies, please contact a.d.putter@bristol.ac.uk and tristan.kay@bristol.ac.uk. Follow the Centre’s X account for the latest updates.

Centre for Creative Technologies

The Centre for Creative Technologies (CCT) has had a dynamic and impactful year, involving interdisciplinary partnerships, and regional and international projects experimenting with creativity and technology: from a collaboration with Bristol Common Press on feminist poetic technologies to work with Knowle West Media Centre. Our aim for 2024 was to foster exchanges and create connections between academic researchers and the creative industry.

The year began with Queer Practices and Creative Technologies, exploring the role of queer practices with creative practitioners and Bristol researchers. Another major highlight was the continuing success of the Future Speculations Reading Group, which expanded into a ‘day reading group’ run by the Centre for Sociodigital Futures (CenSoF), fostering further interdisciplinary dialogue. The CCT has continued our collaboration with the Bristol Digital Game Lab , running Games Jams on ‘Immersive Futures’ and ‘Navigating Violent Geographies’. May was a busy month – we held our annual keynote lecture with Dr Liam Jarvis and co-hosted experiential futurist  Stuart Candy as a Benjamin Meaker Visiting Professor with the Centre for Sociodigital Futures.  His visit included a 3-day Immersive Futures Jam for researchers, postgraduates, and professional creatives, one-to-ones, a master class and a public talk at Pervasive Media Studio.

Learn more about the Centre’s collaborative work with Visiting Professor Stuart Candy.

CCT has organised a range of Friday Lunchtime Talks at the Pervasive Media Studio, from Bristol researchers to Zach Blas, all of which you can watch here. From July to November, the CCT and Brigstow Institute ran our second Alternative Technologies workshop series ran by Bristol researchers and Pervasive Media Studio residents. The Centre participated in an event at Knowle West Media Centre called ‘What if..? Seeds of Tomorrow Growing Today’ and co-director Ed King chaired a discussion with Brazilian media activist Felipe Fonseca. The year rounded off with co-directors Professor Ed King and Paul Clarke being involved in the ‘Caring AI’ workshop series on predictive AI in schools in Bristol, with Paul collaborating on sessions around data sharing, and Ed running games jams on ‘exposing bias in AI’ at Barton Hill Activity Club and Knowle West Media Centre. With talks, workshops, networking events and research seminars throughout the year, the CCT continues to take a leading fostering critical, creative, and socially engaged uses of technology.

Watch Centre members deliver insightful talks at the Pervasive Media Studio.

We are eagerly anticipating our Evening of Creative Technology, which will serve as the final event in the Alternative Workshop Series (2). Looking ahead to the new year, on January 23rd, an event at Watershed, co-hosted by the CCT, UWE’s Digital Cultures Research Centre, MyWorld, and both universities’ Impact Acceleration Accounts, will share the Narrative Technologies projects by Bristol and UWE researchers and professional creative technologists, which have each received seedcorn funding. Also in January, the CCT is looking forward to supporting the Voice, AI, Myth and Storytelling symposium co-organised by Prof. Genevieve Lively & Dr Francesco Bentivegna. We are planning another Friday Lunchtime Talk series following the success of 2024’s, so do get in touch if you work with or on creative technologies and would like to present. We are planning exciting activities for the reading group, including external speakers and creative writing opportunities. We will also continue to support early-career researchers with funding opportunities. Finally, we are excited for further collaborations with the Pervasive Media Studio and have been discussing developing further work in the area of creative community technologies with Knowle West Media Centre, CenSoF, and Ed King’s partners in Brazil. The AHRC and Arts Council’s Immersive Arts programme, which UWE are leading on with Bristol’s CCT as a partner, has started and the first round of applications comes in on 2nd December, so we are looking forward to seeing what artists want to explore with immersive technologies and experiencing the first work produced with the support of this programme in 2025.

To find out more about the Centre for Creative Technologies and how to get involved, please contact artf-cct@bristol.ac.uk.

Centre for Environmental Humanities

2024 was another busy year for the Centre for Environmental Humanities. We have hosted talks by a wide range of visiting speakers, on topics from the history of the commons in England to aquariums at the 1893 Chicago World’s Fair, and the ‘Great Storm’ of 1987. We were especially pleased to host the renowned environmental historian Harriet Ritvo in May. We worked with the curator Georgia Hall to hold successful workshops on working with artists and creative practitioners, and in the summer many MA students, PGRs and academics took part in a field trip to Exmoor where we met with park staff to discuss creative responses to management challenge with a focus on the theme of ‘Elegant Conversation’. We welcomed the second cohort of students on our MA programme in September. The Centre’s co-directors took part in the inaugural meeting of the European Environmental Humanities Network in Utrecht in February, and we continue to develop partnerships across Europe and beyond.

Centre members visit Exmoor National Park for a workshop on ‘Elegant Conservation’.

In that vein, plans for 2025 include applying for an ERC Synergy Grant with colleagues at Ca’ Foscari University of Venice and KTH Stockholm. We are also looking forward to a PGT/PGR showcase on 21 February, as well as the usual programme of talks and reading groups. We are also planning to submit a co-authored article on environmental humanities in practice for a special issue of PMLA, and discussions on the location for the 2025 field trip are already underway…

To find out more about the Centre for Environmental Humanities, please contact adrian.howkins@bristol.ac.uk and paul.merchant@bristol.ac.uk. Follow the Centre’s X account for the latest updates.

Centre for Health, Humanities and Science

The Centre for Health, Humanities and Science (CHHS) has held a vibrant programme of events over the Autumn term. The programme opened with a talk by Dan Degerman (Philosophy) on ‘Mania and the Capacity for Silence’. Degerman spoke about silence and its many nuances in psychopathology, from the agony of enforced silence to ineffable, empty or unworded silence associated with the breakdown of articulation. The seminar generated a lively discussion, and was followed a couple of weeks later by a guest talk by Lorna Mitchell, Head of Library and Archives at the Royal Botanic Gardens in Edinburgh. In a talk on the ‘Plant Humanities’, Mitchell focused on the significance of plants to our wellbeing, their role in social prescribing, and their crucial significance in the context of the development of new pharmacological treatments – as well as on the value of plants in their own right. She discussed the impact of climate change on biodiversity and plant habitats, and revealed the rich archival and other research resources available at Royal Botanic Gardens Edinburgh.

Dr Dan Degerman (Philosophy) introduces his research into silence and its many nuances.

Also in September, the CHHS held an all-day international symposium on Georges Canguilhem, the French physician and philosopher of science, organized by Federico Testa (Modern Languages), British Academy Postdoctoral Fellow in French (Dr Testa has since moved to the University of East Anglia to take up a permanent lectureship). In October, another recent Bristol postdoc and current CHHS affiliate, Doug Battersby (now a Lecturer in Modern Literature at the University of Leicester), organized an online symposium on ‘Victorian Literature and the Health Humanities’, featuring Sally Shuttleworth (Oxford), Andrew Mangham (Reading) and Anne Stiles (Saint Louis University), with an audience of well over a hundred.

One of the highlights of the term was Bodies 2, an all-day event bringing high-profile writers to Bristol to talk about a range of health-related matters. Organized by CHHS board member John Lee (English), the event was opened by Benji Waterhouse, NHS Psychiatrist, stand-up comedian, and author of the bestselling book, You Don’t Have to Be Mad to Work Here (2024). Waterhouse presented a hilarious standup-performance-cum-book-reading that also raised serious social and ethical questions about the profession of psychiatry and, more generally, about NHS mental-health service provision. ‘Nothing is funnier than unhappiness’, as Samuel Beckett once put it, and Waterhouse’s opening talk about unhappiness was both funny and deeply moving. Other highlights included a talk by Anthony Warner (the ‘Angry Chef’) on ‘Ending Hunger’; an affecting talk by the palliative care consultant Rachel Clarke on her new book The Story of a Heart (2024), in which Bristol Royal Hospital for Children makes a prominent appearance. The day concluded with a talk by the neurosurgeon Henry Marsh on ‘Why are Hospitals so Horrible?’ In a poignant critique of the disregard with which hospitals in the UK are designed, Marsh pointed out that the architecture and design of UK hospitals, with their long corridors and their small and over-crowded wards, bears a closer resemblance to prisons than to places of healing and recovery. Marsh stressed the importance of colour, light, fresh air, and relative tranquility for recovery. He also highlighted the significance of artworks in allowing patients an imaginative release from their confinement in over-crowded wards.

Dr Rachel Clarke discusses her new book, The Story of a Heart, at the Bodies 2 event.

Looking forward, the CHHS will be hosting an equally lively programme in the new year. The first speakers, Simon Hall (University of Bristol) and Catherine Lamont (Arts Therapist), will be focusing on their project, ‘Prosthetic Futures: An Art and Science Collaboration on the Future of Reconstructive Prosthetics’, which is funded by Bristol’s Brigstow Institute. This will be followed by Andrew Gaedtke (University of Illinois, Urbana-Champagne), who will be speaking about his forthcoming monograph, Brain Narratives. Mark Paterson (University of Pittsburg), an expert on the body, senses, affects, and sensory technologies, will be visiting and speaking at the CHHS in April. In May, the CHHS will be hosting a talk by Helen Chatterjee, MBE, Professor of Human and Ecological Health at UCL and co-founder of the Culture, Health and Wellbeing Alliance. Finally, in June, the Centre will be holding an event on online therapy: Marjo Kolehmainen (University of Jyväskylä, Finland), who holds an Academy of Finland/Finnish Research Council five-year fellowship on the topic, will be focusing on the ways in which online therapy reconfigures notions of intimacy and trust, with a speaker/respondent from Bristol Medical School.

To find out more about the Centre for Health, Humanities and Science, please contact ulrika.maude@bristol.ac.uk. Follow the Centre’s X account for the latest updates.

Read the 2024 Wrapped: Faculty Research Group Highlights and Looking Ahead blog to discover more exciting research carried out at Bristol. Follow UoBArts Matter on X and Bluesky for the latest updates.

2024 Wrapped: Faculty Research Group Highlights and Looking Ahead

Posted on by George Thomas

By George Thomas, Faculty Research Events and Communications Coordinator

As 2024 draws to a close, we caught up with some of our Faculty Research Centres and Groups to learn about their highlights from the academic and calendar year, as well as activities they are particularly looking forward to in 2025. This year’s blog is presented in two parts: one focusing on our Faculty Reseach Centres, the other on our Faculty Research Groups. To find out more about their research and how to get involved, contact details, social media accounts and website links are provided at the end of each entry.

Bristol Digital Game Lab

If we imagine 2024 as an open world game, and the Bristol Digital Game Lab as player, then there’s lots to celebrate in terms of achievements (although there have also been challenges!).

In 2024, we brought in over £300,000 of funding for research, impact, and commercialisation projects, significantly increased our party size to 250 members, and saw an uptick in successful postgraduate applications. In July 2024, we embarked on a major quest, Game Conscious™ Characters, with industry lead Meaning Machine, which will see us assess how players respond to First Person Talkers, a new genre of video game. Teaming up with industry legends Ndemic and Larian Studios meant we could offer insights into the impact and the writing of video games respectively, which we delivered through sold-out workshops to audiences in Bristol and beyond. We initiated expeditions inspired by the interests of Lab members. This includes the development of a video game to tackle the complex topic of postnatal depression, knowledge-exchange around the ethics and use of AI Tools for Game and XR Storytelling, ‘concept’ game jams for partners including Natural England and the Centre for Sociodigital Futures, sponsorship for the UK premier of asses.masses, an epic, 7+ hour, custom-made video game about labour, technophobia and sharing the load of revolution, a conference on New Directions in Classics, Gaming, and Extended Reality, which brought together 24 academic and industry speakers from eight different countries, and Antiquity Games Night, a monthly online collaborative play series.

Are you a budding adventurer looking to join a group? To gain a sense of what we do in the Lab, check out the following video and see below for a glimpse into 2025.

Next year will see the Lab exploring new worlds, starting with a Cabot-funded symposium on Can Games Teach? Games and the Environment. We’ll follow this with another Can Games Teach? event on Games and History/Heritage. We’ll also be running a series of player studies, so watch this space for paid opportunities to get involved in cutting-edge gaming research! Then there’s the XR game jam for the AI Tools for Games and XR Storytelling project, a postgraduate roundtable on Game Development, further industry workshops and research seminars in the pipeline, and showcases where we’ll feature the games we’re creating. We’ll also be defining and testing a broader service offering through the Lab, including consultancy, game jams, and player studies. 

We would like to take this opportunity to thank Dr Xiaochun Zhang, co-founder and co-director for several years, for all her hard work. Xiaochun will continue to support the Lab from her new home at UCL. In September 2024, we were delighted to welcome Dr Michael Samuel (Film and TV) as new co-director of the Lab.

To sign up to the Lab’s mailing list and to become a member, please visit our website. To follow our updates on LinkedIn, search for #BristolDigitalGameLab. You can also reach out to the co-directors: richard.cole@brstol.ac.uk and mike.samuel@bristol.ac.uk for further information.

Drinking Studies Research Group

The undoubted highlight of 2024 for the Drinking Studies Research Group (DSRG) was the hosting of the Drinking Studies Network’s triennial international conference at Bristol in March. We welcomed 40 speakers from across the UK and Ireland, as well as from Poland, Sweden, Denmark and the USA, with a great blend of early career researchers – our own Amy Burnett organised a panel on ‘Early Modern Drinking Establishments’ with ECRs from across Europe – and leading figures in the field, such as Geoffrey Hunt who flew in from San Francisco. We also hosted a hybrid session with colleagues in Australia and Japan to celebrate the launch of a partner research group: the AustralAsian Drinking Studies Research Group. We heard about subjects ranging from the growth of online sobriety communities, to the importance of Desi pubs, to the treatment of alcohol in popular music. You can read a full account of the conference and its key themes on the DSN website, here. The conference was a significant milestone for the DSRG, as it firmly established Bristol as one of the most important ‘hubs’ of the wider field of drinking studies.

Dr Stephen Spencer presents at the Drinking Studies Research Group’s international conference.

We are rounding off 2024 with another instalment in our series of ‘Project Talks’, where we welcome speakers who are leading major projects in the field of drinking studies to tell us about their research, and to advise us on the development of successful funding applications. We will be welcoming colleagues from the wider university when Karen Gray (School for Policy Studies, University of Bristol) and Martin Preston (School for Education, University of Bristol), along with horticultural therapist and activity leader Guy Manchester, come to share insights from their experience running the Hoppiness: Brewing in Care Homes project. This involved brewing beer with residents of care homes as a way of supporting wellbeing and forging social connection. In 2025 we have two events coming up that we are particularly excited about: a panel event on ‘Early Career Pathways in Drinking Studies’, which will bring together speakers with recent experience of navigating both academic and alt-ac careers post-PhD. We plan to run this is a hybrid event to benefit ECRs across the international Drinking Studies Network, not just those at Bristol. And we are also planning a grant-writing retreat in the spring to support the several members of the group who are working towards funding applications in this field.

To find out more about the Drinking Studies Research Group, please contact drinkingstudies@gmail.com. Follow the Group’s X account for the latest updates.

American Studies Research Group

The American Studies Research Group continues to expand and serve a growing demand from graduate students and academic colleagues studying the United States. We enjoyed welcoming new members from across the University in 2024 as we continued to run a diverse range of events, such as our PGR workshops, external speaker series, and academic roundtables. Some of the highlights of the last year included the hosting of a UoB Benjamin Meaker Distinguished Visiting Professor, Dr Vanessa Northington Gamble, who delivered a set of lectures on the history of race and medicine in America. She also met with our graduate students and offered some important guidance on research and networks. In accordance with the U.S. Election, we hosted an exciting post-presidential roundtable, featuring Bristol colleagues from the School of Sociology, Politics and International Studies (SPAIS) and History, as well as an historian from the London School of Economics, who together reflected on the recent result. We strengthened our partnerships, including one with American Museum in Bath, and recognize the additional financial support of the British Association for American Studies. We also continued to build several research and teaching links with North American universities.

Dr Lucas de Abreu Maia (Politics) responds to an audience question in the U.S. Election event.

The coming year presents many exciting opportunities for our Group. We aim to expand our membership further within the University and beyond. Our partnerships and our portfolio of events are aimed at engaging different audiences, including an event about Native American art in conjunction with the Rainmaker Gallery. We also running co-badged events, including a roundtable on American environmental history with the Centre for Environmental Humanities as well as a roundtable, examining the challenges and opportunities of studying race in America after the 2024 election. Such talks will help us reflect on and contextualize America’s upcoming 250th ‘birthday’ in 2026. We hope you will be able to join us! 

To find out more about the American Studies Research Group and how to get involved, please contact stephen.mawdsley@bristol.ac.uk and sam.hitchmough@bristol.ac.uk.

Senses and Sensations Research Group

In 2024, the Senses and Sensations research group continued to build its international reputation by hosting a series of virtual seminar papers from colleagues across North America, Europe and the UK. At the same time, we worked closely with colleagues at the Brigstow Institute to bring partners from the creative industry and heritage sectors into conversation with group members. We hope that, in time, this will stimulate new collaborations and generate ambitious, innovative and impactful funding applications. Finally, we were delighted to be able to host Benjamin Meaker Distinguished Visiting Professor, Mark Paterson, from Pittsburgh University. Mark is a work-leading scholar of sensation, and his presence really injected energy and focus into our activity.

Benjamin Meaker Visiting Professor Mark Paterson delivers a talk on emotions and the senses.

Building on Professor Paterson’s visit in June-July, we have now submitted an ambitious application for AHRC Curiosity funding. This will enable us to build an innovative international research network that brings together sensory studies scholars and sensory ecologists. We are excited to (hopefully) win that grant and, if not, to pursue further avenues to realize our exciting and world-leading aspirations. In addition, we are focusing our internal conversations on two major challenges. The first is to explore ‘intangible’ sensations, from sense of place to sense of time. The second is to build capacity around Sensory Studies for a Planet in Peril. We hope that by focusing activity, we will inspire generative collaborations and new research partnerships.

To find out more about the Senses and Sensations Research Group, please contact andrew.flack@bristol.ac.uk and victoria.bates@bristol.ac.uk.

Early Modern Studies Research Group

The Early Modern Studies (EMS) research group is pleased to report on another fine year of activities. On 21 May 2024 we ran an event on ‘Engaging the Early Modern’: a round-table discussion on how our scholarship engages with the media, communities, the arts, industry, in co-production, and more. Another highlight was our annual Summer Symposium in July. This featured a keynote from Rachel Willie (Liverpool John Moores) on extraterrestrial travel, and six further papers from PhD, early career, and established researchers on topics including Shakespeare’s 1 Henry VI, the performativity of walking, the religious poetry of Justinian Isham, Shakespearean tragedy, and early modern mining and metalworking. On 30th October, as part of our ‘Early Modern Conversations’ strand, we ran an event on ‘Teaching the Early Modern’: specialists in early modern studies from across the Faculty, both academics and postgraduate students, gathered to share their experiences of teaching the early modern in history, art history, theatre, comparative literature, liberal arts, Italian, and English. The event allowed us to share best practice and to explore future directions for early modern pedagogy at cross-Faculty level.

Early Modern Studies members have plans to present at next year’s conference in Bristol.

At the time of writing, we are organizing a research celebration event that will take place early in TB2: an opportunity to shout about and celebrate major and minor research achievements and successes. Behind the scenes, EMS officers have been working hard in preparation of the Society of Renaissance Studies biennial conference that will be coming to Bristol in July 2025. This major event now has attracted 300+ paper and panel proposals from international delegates, and plans are afoot for a very busy conference featuring three keynotes, a concert, drama reading, and more. More info here: https://www.rensoc.org.uk/event/srs-11th-biennial-conference/.

To find out more about the Early Modern Studies Research Group and how to get involved, please contact s.verweij@bristol.ac.uk and kenneth.austin@bristol.ac.uk.

Read the 2024 Wrapped: Faculty Research Centre Highlights and Looking Ahead blog to discover more exciting research carried out at Bristol. Follow UoBArts Matter on X and Bluesky for the latest updates.

Queer Screen Cultures in the 21st Century: Embedding Diversity, Inclusivity and Representation in Audio-Visual Media

Posted on by George Thomas

By Dr Miguel García López, Senior Lecturer in the Department of Hispanic, Portuguese and Latin American Studies, School of Modern Languages

Dr Miguel García López tells us about a collaborative project which seeks to increase the visibility of LGBTQIA+ people in audio-visual media. With LGBTQIA+ characters in film and television productions consistently underrepresented, Miguel’s research is a timely intervention. The project recently received an AHRC Impact Acceleration Account Award and underlines the positive effect arts and humanities research can achieve. 

Existing research on the social impact of audio-visual work underscores the stagnant and low levels of diversity in audio-visual media and focuses on the representation of diversity as a driving factor of structural change. Through my work on queer film and television in the Hispanic world, I’m interested in exploring how the 21st century has brought about important changes in terms of LGBTQIA+ visibility and discourses around diversity and inclusivity in Spanish-speaking contexts. This is how I came in contact with ODA (Observatory for Diversity in Audiovisual Media), which is the primary organisation monitoring, analysing, and providing public data on diversity levels in audio-visual representation in Spain. The organisation produces an annual report on the representation of LGBTQIA+ and minoritized communities in film and television and provides training and consultation services to filmmakers, filmmaking companies (Netflix, Prime Video), policy makers in governmental institutions (the Spanish Institute of Cinematography and Audio-visual Arts, the Ministry of Culture) and individuals on how to produce inclusive audio-visual works and embed inclusivity and diversity into events, communications, and activities.

Alba Flores, Spanish actor and LGBTQIA+ activist, at the ODA 2023 Awards ceremony.

Our project ‘Queer Screen Cultures in the 21st Century’ seeks to increase the visibility, inclusion, and agency of LGBTQIA+ people and minoritized communities in audio-visual media. Funded by the AHRC Impact Accelerator Account Knowledge Exchange Placement scheme, the project involves a six-month collaboration between Dr Miguel García López and ODA, which will help the partner organisation reach wider audiences through training and knowledge exchange activities, bringing together academics working in the fields of queer and film studies and non-academic members from the audio-visual industry. These will involve training and consultation events in Spain and the UK, the translation of ODA’s annual report into English and the creation of a transnational network through an online newsletter, enabling both the partner and the researcher to engage with key stakeholders, establish transnational links between Spain and the UK and develop a sustainable long-term collaboration. Dr Simon Brownhill, Senior Lecturer in Education, has also recently joined the project as Research Ethics lead and will support with data collection, analysis and dissemination.

Asaari Bibang, Frank T and Lamine Thior at the ODA 2023 Awards ceremony. Their podcast, No hay negros en el Tíbet (There are no blacks in Tibet), seeks to increase Black representation in Spanish audio-visual media.

I will work closely with the partner organisation, collaborating in the creation of the organisation’s annual report, providing academic research expertise in training and consultation activities, and helping ODA to establish a transnational network for the promotion of diversity in audio-visual media. We will combine our research on queer audio-visual culture, consultation and advising services and activities monitoring the representation of diversity in film and television to attain structural social change in the audio-visual industry in Spain and the UK. Our collaboration will provide a bi-directional space of learning and knowledge exchange for subjects with lived experience of discrimination and inequality and for stakeholders in the audio-visual industry seeking further diversity and inclusion. This placement will help us build and maintain an environment and culture that enables effective and ambitious knowledge exchange and impact, including development of skills, capacity and capability within the University and address cultural barriers for arts/cultural sector collaborations with Higher Education Institutions.

Dr Miguel García López is Senior Lecturer in Hispanic Studies and researches on queer representation in Hispanic film and television. He collaborates with UK filmmakers and organisations like the British Film Institute. To find out more about Miguel’s research and the ODA partnership, please contact miguel.garcialopez@bristol.ac.uk.

*Images taken from ODA’s official website (oda.org.es): ODA’s logo and images from this year’s ODA Awards ceremony, celebrating diversity and inclusion in Spanish audio-visual media.

Cinema Unbound: The Creative Worlds of Powell and Pressburger

Posted on by George Thomas

By Professor Sarah Street, Professor of Film and Foundation Chair of Drama, School of Arts

From October to December 2023, the British Film Institute (BFI) curated a special UK-wide season of screenings and events to celebrate the work of visionary British filmmakers Michael Powell and Emeric Pressburger. In a partnership spanning thirty-three years and twenty-four films, Powell and Pressburger transformed cinema with their bold storytelling and vivid cinematography, most notably in The Red Shoes and Black Narcissus. As an academic specialist on British cinema history, Professor Sarah Street participated in several of the events and here tells us about her contributions.

To mark the opening of the Cinema Unbound season, the BFI published The Cinema of Powell and Pressburger, a superbly illustrated book co-edited by Nathalie Morris and Claire Smith. This includes a chapter by Sarah Street on the filmmakers’ extraordinary use of Technicolor which draws on research arising from several major projects on colour films led by Sarah Street and funded by the AHRC and Leverhulme Trust. It was also informed by her in-depth study of Black Narcissus which features with a link to a chapter in the BFI/Bloomsbury’s Screen Studies online publication on Powell and Pressburger. The Cinema of Powell and Pressburger includes many sumptuous images showcasing an extraordinary range of original set and costume designs, photographs and objects, many of which are in the BFI’s own archives. The book was launched at the BFI Southbank in conjunction with the opening of a major exhibition on The Red Shoes. A special cake was made to mark the occasion.

As part of the Powell and Pressburger season the BFI held several discussions on fascinating dimensions of their work. Sarah Street contributed to ‘Centre Stage: The leading women of Powell and Pressburger’, appearing alongside Professor Lucy Bolton (Queen Mary, University of London), critic, writer and historian Pamela Hutchinson and writer Lillian Crawford. The second panel discussion was ‘Queering Powell and Pressburger’, with Dr Andrew Moor (Manchester Metropolitan University), Emma Smart, Director of Collections, Learning and Engagement at the BFI, and Zorian Clayton, Curator of Prints at the V&A and BFI Flare programmer. Each panelist chose extracts from a selection of Powell and Pressburger’s films which illustrated many key themes. These included queer perspectives on the films, offering fresh understandings of iconic performances by well-known actors such as Anton Walbrook and Ruth Byron, and British character actors such as Charles Hawtrey and Judith Furse.

Professor Sarah Street (third from left) participates in a panel discussion on the theme of ‘British Blonde’

Sarah Street is currently collaborating with Claire Smith, Senior Curator of Special Collections at the BFI and Professor Melanie Bell, University of Leeds on a three-year research project, ‘Film Costumes in Action’, funded by the AHRC. She also recently contributed to a panel discussion held at the V&A in connection with a series of lectures by art historian Professor Lynda Nead, Birkbeck, University of London, funded by the Paul Mellon Centre. These were on the theme of ‘British Blonde’, focusing on four celebrated, notorious blonde women: Diana Dors, Ruth Ellis, Barbara Windsor and Pauline Boty. Filmmakers Catherine Grant and John Wyver made four video essays in response to the lectures which were discussed in the last session of the series by Sarah Street and Professor Melanie Williams, University of East Anglia.

Professor Sarah Street is Professor of Film and Foundation Chair of Drama in the Department of Film and Television. A member of our Screen Research Group, Sarah has published widely on British cinema history and the importance of preserving colour film in the archives. To find out more about Sarah’s research, including her current AHRC investigation into ‘Film Costumes in Action’, please email sarah.street@bristol.ac.uk.

2023 Wrapped: Faculty Research Centre and Group Highlights and Looking Ahead

Posted on by George Thomas

By George Thomas, Faculty of Arts Research Events and Communications Coordinator

As 2023 draws to a close, we caught up with some of our Faculty Research Centres and Groups to learn about their highlights from the academic and calendar year, as well as activities they are particularly looking forward to in 2024. To find out more about our Faculty Research Centres and Groups and how to get involved, please see contact details and website links provided at the end of each entry.

Centre for Health, Humanities and Science:

The Centre for Health, Humanities and Science (CHHS) and its c. 200 members have been busier than ever this term and are looking forward to a number of exciting events in the new year. This academic year was inaugurated with a workshop organized by Dr Dan Degerman, a Leverhulme early-career fellow in Philosophy, on ‘Silence and Psychopathology’; this was followed by a colloquium organized by Kathryn Body, PhD student in Philosophy, on Loneliness and Shame in Health and Medicine, with speakers from the US, Hong Kong, Ireland and the UK. An event in November, co-hosted with the Wellcome-funded Epistemic Injustice in Healthcare project, brought together psychotherapists, doctors, and academics in Medicine and English Literature to talk about Trauma. The final event of the year, held in December, was an online colloquium on Modernist Literature and the Health Humanities organized by Dr Doug Battersby, a Global Marie Curie postdoctoral fellow in the English Department.

The Sensing Spaces of Healthcare showcase takes place on 14 February 2024

Highlights for Spring 2024 include a showcasing of Dr Victoria Bates’s UKRI-funded Future Leaders Fellowship project on Sensing Spaces of Healthcare, taking place on 14 February, followed by an early-career event on ‘Narrating Public Health Taboos’, a practice-based workshop with the artist Hannah Mumby, scheduled for 20 February. A talk on epistemic injustice by Professor Havi Carel and Dr Dan Degerman will be taking place in March. The annual Art Exhibition organized by Dr John Lee, featuring art works by students from the Intercalated BA in Medical Humanities, will be held at People’s Republic of Stokes Croft in May. On 11-12 June, the CHHS will also host a grant-writing workshop and retreat at Hawkwood College in Stroud. Last but not least, the new year will see the publication of Key Concepts in Medical Humanities (Bloomsbury Academic), a collection of essays on topics such as ‘health, ‘illness’, ‘neurodiversity’, ‘disability’, and ‘death and dying’, as well as approaches including ‘narrative medicine’, ‘graphic medicine’, ‘medicine and the visual arts’ and ‘’the Black health humanities’. The book is authored by members and affiliates of the Centre for Health, Humanities and Science.

Contact: Professor Ulrika Maude (ulrika.maude@bristol.ac.uk). You can also stay up to date through the Centre’s Twitter account.

Centre for Creative Technologies:

The Centre for Creative Technologies has had a successful year, forming a community that brings together creative practitioners, academics, and researchers. Our Alternative Technologies Workshop Series offered a great chance to reflect critically on developing technologies within the Metaverse, Blockchain, AI and Mega-engineering, and connect University of Bristol academics with Pervasive Media Studio residents.

Dr Paul Clarke presents on the Centre’s panel ‘Affective Relations’ at the Zip-Scene conference in Prague

From these connections, we saw some successful applications that blossomed into projects from our Creative Technologies Seedcorn Fund; VR games and storytelling, platform cultures, mixed reality experiences of futures in Colombia, and creative skills in animation and co-production in Amazonia. The Future Speculations Reading Group has grown, and we will be expanding the sessions with the Centre for Sociodigital Futures with a focus on community and creative technologies. The summer term ended with our keynote speaker, Dr Eduard Arriaga-Arango, sharing his research on Afrolatinx digital culture and data decolonisation. Our July event, Queer Methodologies in Creative Technologies, has developed into a two-day event in November consisting of artist workshops and an open forum; Queer Practices and Creative Technologies. The Centre curated a panel, ‘Affective Relations: Empathy, imagination and care in immersive experiences’, at the Zip-Scene conference in Prague, one of the leading international extended reality (VR/AR/MR) and interactive storytelling conferences, which was also an opportunity to network with related Centres, academics and artists in this field.

Dr Francesco Bentivegna presents on the Centre’s panel ‘Affective Relations’ at Prague’s Zip-Scene conference

The Concept Game Jam, run with Bristol Digital Game Lab and sponsored by MyWorld, opened up conversations around Algorithmic Bias related to co-director Professor Edward King’s UKRI Project ‘Contesting Algorithmic Racism Through Digital Cultures In Brazil’. We plan to organise events to share this project’s progress, and are currently building the project page on our website with regular blogs for members to follow. Our Friday Lunchtime talk series at the Watershed will continue, as well as further collaborations with the Pervasive Media Studio. Our membership and scope have grown, and this year we hope to solidify connections between academics and PM Studio residents and develop our connection with Knowle West Media Centre by focusing on community technologies. We plan to organise a workshop series run by PhD and ECR centre members at the Pervasive Media Studio in the run up to our final summer event on community and creative technologies, with a keynote speaker.

Follow our blog to find out more, and for any queries please contact artf-cct@bristol.ac.uk.

Centre for Environmental Humanities:

2023 has been a busy year for the Centre for Environmental Humanities. Our first major event was a workshop in February on ‘the Future of the Environmental Humanities’, which brought together around 30 people from across the Faculty and beyond, together with Melina Buns from our partners at the University of Stavanger’s Greenhouse Center, and Michelle Bastian from the University of Edinburgh. This was a valuable opportunity to reflect on our existing strengths and think about strategies for the centre to develop and grow.

Thanks to the vagaries of the academic calendar, 2023 also saw two annual lectures! In June we hosted Professor Gisela Heffes from Rice University, who spoke on the aesthetics of toxicity in contemporary Latin America, and in November we welcomed Professor Imre Szeman from the University of Toronto, who discussed the future of clean energy and gave us a literary analysis of the environmental writings of Bill Gates…

 

Alongside these major events, we’ve been continuing with our usual programme of seminars, and have also introduced a weekly tea/coffee catch up, which has proved a valuable and relaxed space for the sharing of ideas, reading recommendations and plans. We’ve been delighted to welcome our first cohort of students on the MA in Environmental Humanities, who are already proving a lively addition to the CEH community.

We’ve begun a collaboration with a curator, Georgia Hall, on working with artists in the environmental humanities, thanks to a grant from the Faculty’s AHRC Impact Acceleration Account. We look forward to continuing this collaboration in 2024. We are also hard at work, alongside other research centres in the Faculty, on a bid for one of the AHRC’s new ‘doctoral focal awards’ on the theme of ‘arts and humanities for a healthy planet, people and place’.

To find out more about the Centre for Environmental Humanities, please contact paul.merchant@bristol.ac.uk and adrian.howkins@bristol.ac.uk. You can also stay up to date through the Centre’s Twitter account.

American Studies Research Group:

The American Studies Research Group experienced an amazing 2023! Membership increased to include over forty staff and graduate students from across the Faculties of Arts and Social Sciences and Law. Beyond our steering group, we have established three sub-committees to advance strategic goals, including partnerships, funding, and events. Our graduate training initiative, led by Dr Thomas M. Larkin and Dr Darius Wainwright, was well attended and provided important support for our PGR students. Our regular speaker series garnered positive feedback through presentations by such scholars as Ian Tyrrell, Dr Lorenzo Costaguta, Dr Erin Forbes, Dr Kate Guthrie, and Beth Wilson. We also helped to organize and host the British Association of Nineteenth-Century Americanists (BrANCA) 6th Biennial Symposium, which drew scholars from across the world to share their latest research. Our partnership with the American Museum (Bath) inspired additional consultations and collaboration, while the strengthening of our research environment contributed to new publications, including articles by Jim Hilton, Paula K. Read, Victoria Coules and Professor Michael J. Benton, and Dr Thomas M. Larkin.

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We are excited by our plans for 2024. We will be hosting Professor Vanessa N. Gamble (The George Washington University) as the Bristol Benjamin Meaker Distinguished Visiting Professor. She will work closely with our group on funding and partnership development, as well as deliver four research presentations. We are pleased to continue hosting a range of external seminar speakers, including Nathan Cardon, Sharon Monteith, and Thomas Arnold-Foster. We are grateful for the financial support of the Faculty and the British Association for American Studies (BAAS).

To find out more about the American Studies Research Group, please contact stephen.mawdsley@bristol.ac.uk and sam.hitchmough@bristol.ac.uk.

Early Modern Studies:

The Early Modern Studies research group has had a very productive 2023. In May 2023, EMS organised the ‘Place and Space in the Early Modern World’ workshop (already reported on the Arts Matter Blog). In the summer we held our annual Summer Symposium featuring 4 panels of two speakers each, with papers ranging from early music to Anglo-Dutch identities; from stage corpses to Venus and Adonis; and from Philip Sidney’s translation of a devotional work to Shakespeare’s history plays and his will. The start of the new academic year (TB1) saw the occasion for a research celebration: many good news stories, research updates, and a celebration of two first monographs published by Dr Dana Lungu and Dr Gonzalo Velasco Berenguer. EMS will soon hold their annual ‘conversations’ event (Dec 2023); and for 2024 has further early modern events lined up.

Dr Sebastiaan Verweij opens the ‘Place and Space in the Early Modern World’ workshop

For anyone who would like to join EMS and stay abreast of news, please write to grp-ems-internal@groups.bristol.ac.uk.

Drinking Studies Research Group:

Since its inception, the Drinking Studies Faculty Research Group has been running a research seminar series with local, national, and international speakers to bring together local members and spark productive conversations. We have had flash talks from PhD students and local academics to get to know each other better as a group, and talks from experts in the wider field of Drinking Studies. Dr Deborah Toner (University of Leicester) joined us in June to talk about her experience of collaborative work and bringing history and policy together with international partners in South America. Dr Susan Flavin (TCD) joined us in September to talk about her interdisciplinary project on early modern brewing techniques including an exciting authentic brew which was tasted by the members of the project and examined by chemists and nutritionists to investigate much discussed questions around the ABV and nutritional qualities of these early brews. In the coming year, we are hosting the Drinking Studies Network conference at Bristol (March 2024) which will bring together local, national, and international researchers to discuss writing about alcohol.

Peder Severin Krøyer (1851-1909), ‘Hip, Hip, Hurrah!’, 1888, oil on canvas

To join the Drinking Studies Faculty Research Group or propose a seminar or other activity, contact Mark Hailwood (mark.hailwood@bristol.ac.uk) and Pam Lock (pam.lock@bristol.ac.uk). 

Screen Research Group:

The Screen Research group had a very successful 2023. We ran a series of workshops on video-essay making, which allowed participants to develop key technical and analytical skills related to video-essay production, and to gain insight into best practices when it comes to integrating video-essays as unit assessments. The sessions were delivered by leading experts in the field, including Prof. Catherine Grant. 2023 also saw the publication of Dr Miguel Gaggiotti’s Nonprofessional Screen Performance (Palgrave Macmillan) and Professor Catherine O’Rawe’s The Nonprofessional Actor: Italian Neorealist Cinema and Beyond (Bloomsbury), two monographs greatly shaped and informed by Screen Research events, sessions and partnerships. The short films Nothing Echoes Here (Hay, 2023) and Pouring Water on Troubled Oil (Massoumi, 2023), directed by group members, also had their festival premieres in 2023. We hope to continue this success into 2024.

Dr Miguel Gaggiotti’s new monograph
Professor Catherine O’Rawe’s new monograph

 

 

 

 

 

 

 

 

 

 

 

 

We will be running further events and training sessions on video-essay production, an area group members have shown a particular interest in, which has led to an ongoing series of monthly video-essay work-in-progress sessions where members share their work and receive peer feedback. The video-essay is now being adopted as a form of undergraduate assessment in the Faculty, so we are also working on best practice for assessing it, and have invited Dr. Estrella Sendra of KCL to talk to members about using the video-essay as a pedagogical tool. We will also be running a one-day practice-as-research symposium in collaboration with UWE (in June 2024) as well as a joint book launch for Catherine O’Rawe’s and Miguel Gaggiotti’s monographs in early 2024, among other activities!

To find out more about the Screen Research Group, please contact c.g.orawe@bristol.ac.uk and m.gaggiotti@bristol.ac.uk. 

Bristol Digital Game Lab:

The Bristol Digital Game Lab showcased a vibrant array of events throughout 2023, providing a platform for scholars, students, and enthusiasts to delve into the multifaceted world of digital gaming.

The Lab initiated the academic year with a thought-provoking online roundtable on October 24, where experts and major UK game lab leads gathered to discuss the implications of the Video Games Research Framework (launched by the Department for Culture, Media and Sport in May) on individual research, and how game labs, centres, and networks could support its aims. The event featured two esteemed keynote speakers: Prof. Peter Etchells, who was involved in drafting the Framework, and Dr Tom Brock, the Chair of British DiGRA.

‘Music and Sound in Games’, a collaborative event between the Game Lab and Digital Scholarship @Oxford

Following this, on October 31, the Lab collaborated with Digital Scholarship @Oxford and organised a hybrid panel and roundtable titled “Music and Sound in Games”. Expert speakers from both industry and academia dissected the impact of music on gaming narratives, characters, and emotional engagement. The digital roundtable facilitated by Dr Richard Cole further delved into critical conversations surrounding this fascinating aspect of game design.

November brought a Research Seminar in collaboration with the Department of Classics and Ancient History. Dr Dunstan Lowe, Senior Lecturer in Latin Literature at the University of Kent, presented on “History is not the Past”: Videogame Design and The Ancient Mediterranean. The seminar explored how video games portray ancient history, emphasising the diverse ways in which different genres and playstyles influence the conceptualisation of ancient worlds within digital games.

Towards the end of November, the Lab hosted an exciting inaugural event, the ‘Concept’ Game Jam, co-organised with the Centre for Creative Technologies and sponsored by MyWorld. The Game Jam challenged the 40 participants to explore how gaming mechanisms could shed light on the biases embedded in algorithms, especially in the realm of machine learning and AI. It stimulated creative thinking about the intersection of gaming and algorithmic bias and some teams came up with innovative working prototypes.

Bristol Digital Game Lab has expanded to over 150 members, gaining increasing international recognition

December will start with the Antiquity Games Night, a novel monthly online meetup organised by Dr Richard Cole and Alexander Vandewalle (University of Antwerp/Ghent University). Scholars, students, and designers will gather to play antiquity games, fostering an engaging space that blends academic discussions with gaming experiences.

Closing the year on a festive note, the Lab will bring back the “Festive Gaming” event on December 14. This event will invite participants to join in for an evening of social gaming, featuring the latest releases and playtests of upcoming games. The lineup included contributions from Catastrophic Overload, Meaning Machine, and Auroch Digital, providing a platform for networking, exploration, and celebration within the gaming community.

In summary, the Bristol Digital Game Lab’s 2023 events were a testament to the diversity and richness of the digital gaming landscape. From scholarly discussions on research frameworks and ancient history to hands-on game jams and festive gaming, the Lab succeeded in creating a dynamic space that catered to a broad spectrum of interests within the gaming community. The Lab has expanded to a network with more than 150 members, gaining increasing recognition internationally.

Looking ahead to 2024, we will be hosting an ECR/Postgraduate work-in-progress event in January, followed by a series of industry talks with a headline from Ndemic Creations, a roundtable on accessibility, as well as a conference on New Directions in Classics, Gaming, and Extended Reality. We look forward to seeing you there!

To find out more about the Bristol Digital Game Lab and sign up to our mailing list, please visit: https://bristoldigitalgamelab.blogs.bristol.ac.uk/how-to-get-involved/.

Woodblocks, Inky Fingers, and Lots and Lots of Tea: Bristol Common Press Summer Internship, June – July 2022

Posted on by George Thomas

By Fiona Feane, PhD History of Art candidate, School of Humanities

With Bristol Common Press celebrating the return of the Albion, a 200-year-old printing press beautifully restored following a successful crowdfunding campaign, we caught up with PhD candidate Fiona Feane to learn about another interesting story from its history: her 2022 summer internship.

Although Bristol Common Press has been in existence since 2021, much of the printing materials were, as of June 2022, still to be sorted. Enter the interns! As my research focuses on woodcuts, I considered myself very lucky to get the opportunity for some practical experience, and so I was tasked with sorting and cataloguing woodblocks. Naively, I believed that the cataloguing part could be done in the first three or four weeks, with the final two or three weeks devoted to creating some aesthetically pleasing project, or background research. More on that later…

The first week was given over to learning the process of printing using the metal letterpress type, from compiling the text (an ability to read both backwards and upside down is a helpful skill here), to printing, and then distributing the type back in the right compartment of the right case, in a process known as ‘dissing’. By the end of the week I had a new-found admiration for printmakers; not only is printmaking a fiddly, time-consuming process, but they do not get to sit down.

 

 

 

 

 

 

 

 

 

 

 

The second week I was let loose on the woodblocks. At first I felt like a kid at Christmas, with plenty of boxes to open. But, as box after box was placed in front of me, the enormity of the task finally dawned. Still, plenty of gorgeous blocks to coo over, so I got going. I first did a rough manual print of all the blocks, a messy process during which I learnt that hand sanitiser gets ink off most things, including tables, but not hands. I used these prints to categorise the blocks, a very fluid and subjective process (read: make it up as I go along).

 

Once the categories and sub-categories were finalised, it was time to begin printing the catalogue. This is where I learnt how much of an effect tiny differences in block height could have, that some blocks were really hard to print cleanly due to the shallowness of the relief, and that a clean print from practice paper does not guarantee a clean print from the good and much more expensive paper. In short, printing is a long and frustrating process involving lots of trial and error (and paper), but so rewarding when it goes well!  My plan was to print all the blocks within their sub-categories, then manually typeset headings at the top of each page and dividers between each category. But, with literally hundreds of blocks, it was an impossible task to get done, or even half done, in six weeks. What it’s shown, as someone who researches illustrated documents, is how skilled a job it is to incorporate both, even within cheap print.

By the end of the internship, I had produced many sheets of images of which I am very proud, and which show the richness of the resource that’s available. There’s everything from images of circus performers to farm animals, from people at work and leisure to decorative patterns, and lots in between. So, although I haven’t finished my project, I will be back to continue it, just as soon as they let me.

Update: As of December 2023, I have returned to the BCP in order to complete my training as a Printer’s Devil, and have also run the first of hopefully many PGR Printing Workshops, alongside Shauna Roach. No further with the catalogue printing though!

Fiona Feane is a PhD History of Art candidate with research interests in the representation of women in seventeenth century popular print, in particular broadside ballad woodcuts. Her thesis also covers seventeenth century fashion and theatrical costume, and the relationship between image and text. To find out more about Fiona’s research, please contact fiona.feane@bristol.ac.uk. To find out more about Bristol Common Press, please visit https://bristolcommonpress.blogs.bristol.ac.uk/.