Voicing Silence: Amplifying the Voices of Non-Recent Child Sexual Abuse

By Dr William Tantam, Lecturer in the Department of Anthropology and Archaeology, School of Arts

Dr William Tantam tells us about a collaborative project which sought to challenge the silencing of child sexual abuse. Taking an arts-led approach, William and his collaborators produced a ‘zine’ to engage mental health professionals, academics, and most importantly, survivors of child sexual abuse, placing their voices at the centre of clinical and policy discussions. The project received an AHRC Impact Acceleration Account award and William has since received a REPHRAIN grant to further his research.

‘Voicing Silence: amplifying the voices of victims and survivors of non-recent child sexual abuse’ sought to challenge the silencing of child sexual abuse through attention to the ways in which victims and survivors are, or have been, silenced. This silencing includes inappropriate or improper responses to disclosures of sexual abuse, poor follow up, disbelieving, and no further action taken to reporting. It also includes the pervasive cultures of silence that coalesce around child sexual abuse which make it more difficult for victims and survivors to report at the time of the abuse, and to delay disclosing the sexual abuse until later in life.

The Breaking Silences zine produced by William and his collaborators.

  • To navigate through the zine, click on the arrow icons in the bottom left and right of the zine.
  • To view the zine in full screen, click on the second icon in the top right of the zine.

The zine and workshop emerged from a network of academics, clinicians, therapists, and activists (some of whom are victims and survivors). At the heart of the group was a commitment to centring the needs and perspectives of victims and survivors, and ensuring that their voices feed into practice and policy. Network members have also disseminated the zine in their different academic, clinical, and activist communities in order to reach as wide an audience as possible, including in NHS trusts, clinical training groups, and academic environments. It is also being used as a learning material at the Tavistock Trauma Centre for professionals likely to receive disclosures of child sexual abuse.


“We wanted a zine that captured the challenges of child sexual abuse and silences, but which also captured the hope and possibilities enabled by survivor-centred approaches


The process of producing the zine enabled the group to clarify our meanings and understandings. In preparation, each of us submitted two sentences of what we would like to say in the zine. Armed with Pritt sticks and sheets of coloured card we spent two hours in groups cutting up the sentences, placing them in different orders, and considering how the meaning, tone, and voice changed as we spliced together different passages. Often these new combinations generated deeper meaning and turns of phrase, or produced new insights that we hadn’t quite articulated in our initial attempts. We were inspired by the wonderful ‘Mad Zines’ project and tried to draw on some of the energy and vitality produced in their outputs. 

A further strength – and really the heart of the final output – was the creative contributions of members of the group. Dr Khadj Rouf (zine co-editor and Consultant Clinical Psychologist with Northamptonshire Healthcare NHS Foundation Trust) provided beautiful poetry, complemented by a cover artwork by Dr Sara Scott, and incredible illustrations provided by the multi-talented Jenissa Paharia. We wanted a zine that captured the challenges of child sexual abuse and silences, but which also captured the hope and possibilities enabled by survivor-centred approaches.


“At the heart of the group was a commitment to centring the needs and perspectives of victims and survivors, and ensuring that their voices feed into practice and policy”


Drawing on this initial project, and a further ESRC IAA grant exploring how to improve responses to disclosures of child sexual abuse, I have developed a further project into the particular challenges faced by survivors of online-facilitated child sexual abuse, funded by REPHRAIN. Working with Dr Susanna Alyce, Co-Investigator, this new project incorporates a survivor-produced ‘zine’ that will provide key learning into this area that remains under-explored, and from the people most impacted by these insights. We are delighted to be working with SARSAS, the Survivor’s Trust, and Survivors Voices in this new project which hopes to deploy survivor-centred insights for real-world change.

Dr William Tantam is Lecturer in the Department of Anthropology and Archaeology with research interests in trauma and gendered violence, and technology-facilitated sexual abuse. To find out more about William’s research, the Breaking Silences zine and his new REPHRAIN grant, please email william.tantam@bristol.ac.uk.

‘It’s hard to think…’: Introducing the EPIC project studying better ways to hear patient voices

By Professor Havi Carel, Department of Philosophy

A fellow patient was talking about a consultation that followed an examination, when she was still wearing the hospital gown. She felt that it was hard for her to offer her opinions, say what she wanted, and ask questions about her condition, because, as she poignantly put it, ‘it’s hard to think without your pants on!’. 

How do we think, speak, ask questions and convey our views in different situations? This brief account opens questions about how patients are listened to, and how we can work together with health professionals to ensure that they are not only listened to but that what they say plays a key role in decision making processes in healthcare contexts. 

Some patients have reported that their testimonies and perspectives are ignored, dismissed, or explained away by the healthcare profession. These experiences are classified by philosophers as ‘epistemic injustices’ because, in some cases, they are based on prejudice and can jeopardize patient care and undermine trust in healthcare staff and systems.  

A new project I am leading with collaborators from the universities of Nottingham, Birmingham, and Swansea – ‘epistemic injustice in healthcare’ (EPIC) – will study this problem is its general form: why some patient voices are ignored and what healthcare systems can do to overcome this problem. The project is funded by a Wellcome Discovery Award, and will run for six years, with a budget of £2.6 million. 

The project will include case studies from a range of illnesses, theoretical research, events, focus groups, the creation of a network with patients and health professionals, postdoctoral positions, summer schools, and publications. The project aims to identify practical measures for the benefit of patients and healthcare practitioners alike. 

The core team also includes Professor Sheelagh McGuinness (Bristol), an authority on gender and the law in relation to healthcare, Professor Lisa Bortolotti (Birmingham), an expert in philosophy and psychiatry, Professor Matthew Broome (Birmingham), an academic NHS psychiatrist, and Dr Ian James Kidd (Nottingham) whose joint work with me pioneered the study of epistemic injustices in healthcare. 

The EPIC team will be completed by eight postdoctoral researchers and a range of other researchers and collaborators from Swansea, City and Aston Universities, and the Universities of Bologna and Ferrara in Italy, making a team of around 30 researchers. 

The six case studies will include labour pain, vaccination in immigrant children, young people and mental health, neurodiversity, cancer and depression, and dementia. 

Professor Broome will lead a case study on youth mental health. He said: “This project will help young people with psychosis develop better relationships with clinicians, and to gain agency in determining their treatment, and ultimately improve outcomes.” 

EPIC will also work closely with patients and service users. Professor Bortolotti added: “It is especially important for people with a mental health diagnosis to contribute to shared knowledge concerning their symptoms and treatment. We will challenge the assumption that they are irrational or disconnected from reality, and so not worthy of being listened to.” 

Dr Kidd said: “EPIC will also involve theoretical work elaborating on the concept of epistemic injustice. We have greatly expanded resources for conceptualising the variety of epistemic injustices. EPIC will contribute to that enrichment as well as benefitting from it.” 

The project will begin in September 2023 and we wish Havi and the rest of the team every success.

Professor Havi Carel, Department of Philosophy, is a philosopher of medicine and an expert on the experience of illness. 

The Centre for Health, Humanities and Science: Who we are and what we do

By Professor Ulrika Maude, Director of the Centre for Health, Humanities and Science

The Centre for Health, Humanities and Science (CHHS) focuses on interdisciplinary and multidisciplinary research at the intersection of the humanities, health, medicine, and science. The CHHS was inaugurated in 2017 and it has almost two hundred members from across Bristol University’s six Faculties and from the NHS. It runs a regular research seminar with speakers from across the UK as well as from abroad, and hosts workshops, an annual lecture, public debates, mentoring lunches, funding workshops, postgraduate-led activities, and university-wide networking events.

CHHS members are at the forefront of developments in medical humanities research, disseminating their results through academic publications, events and public engagement activities. With the support of the Wellcome Trust and the Elizabeth Blackwell Institute, the CHHS has provided seed-corn funding for a diverse range of research projects, including grief and mourning; the senses; chronic conditions and their narratives; and health and illness in colonial film archives.

One CHHS seedcorn-funded project, Becoming Elizabeth Blackwell, centres on the Bristol-born doctor and social campaigner Elizabeth Blackwell (1821-1910) – the first British woman to be registered as a doctor by the General Medical Council, in 1859. The project has brought together Bristol academics, a playwright and theatre director, medical students and others to produce a playscript that will re-tell and celebrate Blackwell’s life and achievements.

Several CHHS members are currently involved in collectively writing a book on Key Concepts in Medical Humanities (forthcoming, 2024), which will provide a critical introduction to concepts such as ‘health’, ‘illness’, ‘contagion’, ‘feeling’, ‘neurodiversity’, ‘disability’, and ‘dying’, as well as offering chapters on key methodologies such as ‘Black Health Humanities’, ‘Graphic Medicine’, ‘Medicine and the Arts’ and ‘Narrative Medicine’. ‘Health’, for instance, is by no means a transparent concept, and the CHHS’s former Benjamin Meeker Professor, Alexandra Parvan, argues that ‘health cannot be taken merely as the outcome of biological tests or a clean medical sheet, nor should it necessarily be understood as a state restricted to the those designated as clinically healthy.’ Rather, Parvan argues for a nuanced conception of health, one that is ‘accessible to all’.

Current large-scale research initiatives at the CHHS include Sensing Spaces of Healthcare, led by historian Victoria Bates. Poor hospital design has a negative impact on healthcare outcomes, and the project seeks to rethink the NHS Hospital through the body and the senses, focusing on the lived experience of patients, visitors, and hospital staff with the aim of improving hospital design. And a multidisciplinary team led by philosopher Havi Carel has recently won Wellcome Trust funding for a six-year project on Epistemic Injustice in Healthcare (EPIC), which aims to address inequalities. Havi says,

‘Some patients have reported that their testimonies and perspectives are ignored, dismissed, or explained away by the healthcare profession. These experiences are classified by philosophers as ‘epistemic injustices’ because, in some cases, they are based on prejudice and can jeopardise patient care and undermine trust in healthcare staff and systems.’

EPIC aims to identify practical measures that can be taken for the benefit of patients and healthcare practitioners alike.

The Good Grief Festival, inaugurated in 2020, focuses on supporting those affected by the shared experience of bereavement and grief – topics that have for too long been considered taboo. Led by Lesel Dawson (English) and Lucy Selman (Bristol Medical School), ‘Good Grief’ regularly organises talks, interviews, webinars and workshops for the general public concentrating on the ways in which the crushing experience of grief can be shared and managed.

Notable projects from recent years include The Heart of the Matter exhibition, which toured the UK in 2018. The exhibition grew from artist Sofie Layton’s residency at Great Ormond Street Hospital for Children and was co-organised by CHHS Advisory Board member and bioengineer Giovanni Biglino. The artworks in the exhibition were inspired by young patients with heart conditions – as well as their families and doctors – and it invited visitors to discover the extraordinary complexity, intricacy and beauty of the heart as an organ.

For many years now the Centre has been involved in medical education through the Intercalated BA in Medical Humanities, an optional one-year degree for students of Medicine and Veterinary Science, taught jointly by English and Philosophy and directed by Advisory Board member, John Lee (English). With a wide range of international collaborators and an International Advisory Board, our members are also active in public engagement work through collaborations with the NHS, patient groups, and charities as well as museums, public gardens, libraries, and other cultural organisations.

For more information about the CHHS, please contact the Centre’s administrator, Elizabeth Gourd (e.c.gourd@bristol.ac.uk).

Professor Ulrika Maude, Centre for Health, Humanities and Science Director

The Centre for Medieval Studies: Examining the Past into the Future

By Professor Ad Putter and Professor Kathleen Kennedy, Co-Directors of the Centre for Medieval Studies and Professor Marianne Ailes, former Co-Director of the Centre

The Centre for Medieval Studies is a leading centre for research and training in all aspects of medieval studies, providing an ideal research environment for staff and graduate students in an area that is inherently interdisciplinary. With more than 30 Centre staff members from across the Faculty of Arts and beyond, we have an exceptionally broad range of specialists learning from the different methodologies of our individual disciplines. 

Internally, the Centre nourishes excellence in research, promoting interdisciplinary research and training in medieval studies, facilitating grant capture, and providing a network for mutual support and exchange of knowledge and expertise. Lecturer, Dr Steve Bull, comments: 

‘As an ECR still finding my place in the wider academic community, the advice, support, and connections that I have gained through the CMS have been invaluable. There is a genuine feeling of collegiality amongst the centre’s members.’

We are raising the profile of Bristol’s medieval research community nationally and internationally. We have an extensive network of partners, including local heritage organisations, facilitating impact, and offering student placements (e.g., Bristol Cathedral and Berkeley Castle), and national and international research partners. Professor David Wallace (University of Pennsylvania), a frequent visitor to the Centre, comments:  

‘Bristol’s Centre for Medieval Studies has great medievalists across the range to sift the secrets of Bristol (a great medieval city), of Europe, and of the global Middle Ages.  A truly exceptional centre for student education and international scholarly collaboration.’

We lead several externally-funded projects. A recent project we initiated is the Marie-Curie Doctoral Training Network ‘Re-mediating the Early Book: Pasts and Futures’ (REBPAF); it will support 13 PhD researchers at the universities of Bristol, Galway, Antwerp, Alicante, Vienna and Zürich, enhancing our already strong postgraduate cohort and international reach. PhD applications for the REBPAF project close on 10 January.

We offer exceptional support to our postgraduates, integrating them into our research community with regular social events and research seminars, some tailored to meet their needs, including seminars on ‘what every medievalist needs to know about…’ (useful for us all, but especially early career researchers) and an annual ‘student choice’ seminar with a speaker nominated by the students. We also host on our Blackboard site a constantly upgraded ‘training hub’ with online resources and run a range of reading groups, notably for medieval languages, such as Old French and medieval Latin. Our successful MA in Medieval Studies, with its unique placement unit, attracts students from different disciplines and diverse backgrounds with a high conversion rate to postgraduate research, here and elsewhere. 

A highlight is the annual postgraduate conference, the longest-running of its kind; this brings to Bristol, and now also online, an international group of postgraduates. PhD student Maria Rupprecht, from Germany, who chaired last year’s organising committee, notes: 

‘It is the perfect environment for postgraduates to present their research in progress and connect with medievalist peers and leading scholars from Bristol and beyond in a most benevolent, constructive, and supportive framework. The conference is an absolute highlight in the CMS. It is conceptualised, organised, and managed by Bristol’s postgrads and with this approach allows for discovering and developing organisational and managerial skills as well as teamwork in a committed and friendly environment.’

In the year ahead, in addition to our regular programme, we look forward to strengthening local ties through the research of our BA Global Professor, working with Bristol Central Library on their early books, including a planned public workshop. Visiting professors enrich our research environment: we are currently hosting a specialist in Old French from Stockholm, and we look forward to welcoming a Newton International Fellow next year. Our research into the past always looks to the future. 

Professor Ad Putter and Professor Kathleen Kennedy, Co-Directors, and Professor Marianne Ailes, former Co-Director, Centre for Medieval Studies

The Centre for Environmental Humanities: Who we are and what we do

By Dr Adrian Howkins and Dr Paul Merchant, Co-Directors of the Centre for Environmental Humanities

The stories we tell about the environment and the images we make of it end up shaping the environment itself, for better and for worse. This is one of the key principles of the environmental humanities, an interdisciplinary field that brings together historians, literary critics, philosophers, scholars of visual culture, cultural geographers, and more.  

As the COP27 climate change summit gets underway in Egypt this week, it is striking to note how little coverage the summit has had in the media, especially when compared with the COP26 summit in Glasgow last year. It seems that expectations of meaningful progress are low, despite stark warnings from the UN that drastic action is needed. The environmental humanities can help us understand how we have arrived at this point, and reflect on how culture can play a role in building a more hopeful future.  

The Centre for Environmental Humanities at the University of Bristol, established in 2017, has rapidly built a reputation as one of the leading centres in the field. Our community spans all of the disciplines in the Faculty of Arts, and our members include postgraduate researchers, professors, and all career stages in between.  

We support our academic members in developing their research ideas, by providing seed funding, and supporting applications for external grants – recent funded research from Centre members includes Andy Flack’s ‘Dark Pasts’ project and Paul Merchant’s ‘Reimagining the Pacific’ project, both funded by the Arts and Humanities Research Council (AHRC). We are particularly proud of our vibrant postgraduate community, whose members organise reading groups, workshops and the Literary and Visual Landscapes seminar series (you can watch a recording of their most recent seminar).  

The River Avon at low tide, with the Clifton Suspension Bridge above. It is dark and the lights from nearby buildings are reflected in the water
The River Avon at low tide. Credit: Kristoffer Trolle, CC-BY 2.0

It’s really great being part of the Centre for Environmental Humanities here at Bristol. Being involved in a community of researchers from many different disciplines—from History, English, Geography, and many others—is incredibly stimulating. It’s a genuinely creative melting pot centred around a brilliant programme of events, seminars, reading groups, and field trips.” 

Milo Newman, PhD student in the School of Geographical Sciences 

In the 2022-23 academic year, we are exploring the future of the environmental humanities – where does the field need to go next? Where are the gaps in current research? How can our interdisciplinary community of scholars and students at Bristol shape new developments? With these questions in mind, we will be holding a special workshop in February 2023, with internal and external participants.  

Over the next few years, we are also looking to expand our network of international partners. This year, we established a formal partnership with the Greenhouse Center for Environmental Humanities at the University of Stavanger in Norway and the Environmental Humanities Center at Vrije Universiteit Amsterdam. Partnerships provide opportunities for visiting fellowships, networking, and collaborative grant applications to our members. We are also developing a series of co-hosted online seminars on environmental humanities in Latin America with the Center for Environmental Studies at Rice University (USA). Professor Gisela Heffes from Rice will be visiting as a Bristol Benjamin Meaker Distinguished Visiting Professor in May and June 2023.  

Collaboration both within the University and with community partners, including Bristol’s Black & Green Ambassadors and the Bristol Green Capital Partnership, is fundamental to our work, and the Centre is at the forefront of interdisciplinary innovation. One recent initiative, ‘Keywords in Environmental Research and Engagement’, worked with a range of community organisations across the city and academics from different disciplines to explore how to generate a common understanding of key terms like ‘resilience’ and ‘transitions’. 

We’ve also been promoting a place-based approach to collaborative scholarship, where we use field trips to provide a focal point for interdisciplinary conversations. Recent field trips have included visits to the Island of Lundy (see our co-authored article), Exmoor, and the Brecon Beacons.  We’re planning to continue these field trips this coming academic year with visits to the See Monster in Weston-super-Mare and to the Somerset Levels.   

We are very excited to be developing a new MA in Environmental Humanities, which is due to start in September 2023. You can find out more and apply on our website. 

Dr Adrian Howkins and Dr Paul Merchant, Co-Directors, Centre for Environmental Humanities 

The Centre for Black Humanities: Who we are and future directions

By Dr Saima Nasar and Professor Madhu Krishnan, Co-Directors of the Centre for Black Humanities

The Centre for Black Humanities is an international hub for Black Humanities research in the heart of Bristol. The Centre aims to foster the broad range of research currently being done at the University of Bristol around the artistic and intellectual work of people of African descent. Some of our current interdisciplinary projects include Dr Josie Gill’s research on ‘Black Health and the Humanities’, Dr Elizabeth Robles’ work on Black British Art, and Dr Justin William’s project on UK Hip-Hop. Other research projects include those relating to ethics and social justice, literary activism, and slavery and its legacies.

The Centre is committed to reaching audiences outside the traditional university through a diverse programme of film screenings, reading groups, performances, and research collaborations with local communities. Such activities enable our research to generate impact in other areas including the cultural industries and higher education policy.

Our main priorities as a Centre are: collaboration, interdisciplinarity, engagement, exchange, and internationalism. The Centre works with academics, artists and practitioners – nationally and internationally –  to produce world-leading research in Black Humanities. We work across disciplines in the Arts and Humanities but also beyond, with researchers in the Sciences and Social Sciences. Centre members also facilitate a wide range of public engagement activities based on our research in local, national and international settings, working with museums, charities and other organisations to deliver high-quality, non-academic outputs.

Additionally, we have active research partnerships with local writers, artists and grassroots organisations in Bristol. These help create high-profile opportunities for mutual exchange and collaboration on issues of local and national importance. We also have academic and creative partners in Uganda, Ghana, Senegal, Angola, Portugal, Brazil, and the US, amongst others. A list of our international board members can be found on our website.

The Centre has had a series of visiting scholars join us. In 2021, we were delighted to host Professor Nicola Aljoe. Professor Aljoe’s research is on Black Atlantic and Caribbean literature with a specialisation on the slave narrative and early novels. She described her time in Bristol:

‘Despite the ongoing COVID pandemic, my sojourn at the Centre for Black Humanities in Bristol during the fall term of 2021 was an incredibly productive and intellectually engaging experience. I conducted research in the Bristol archives on two related projects. The first was the creation of a digital map of the various locations associated with Black people in 18th – century London through the lens of Ignatius Sancho. The second project was my book manuscript on representations of women of colour from the Caribbean in fictional European texts between 1790 and 1830. Such data productively challenges notions of absence of Black people in the archives of Britain at this time, and provides more details about the complexities of their lives.’

The Centre offers exciting opportunities for our early career and postgraduate community, through cutting-edge research and dialogue with arts and community activists. This year, Adriel Miles, Alice Kinghorn and Francis Asante are coordinating a programme of events. Francis explained:

‘The Centre plans to organise a number of postgraduate research (PGR) seminars and reading groups. Two seminars are planned for the first teaching block on topics related to the exploration of racial communities in online spaces, and the relationship between race, music, and cultural politics. These events are designed to encourage a sense of community in the Centre, and to provide a space for learning and socialising. Preparations for the seminars are still ongoing, and further information about them will be shared soon.’

Dr Saima Nasar and Professor Madhu Krishnan

(Centre Co-Directors)

Found an untranslatable word? I bet you haven’t…

On International Translation Day, Dr Christophe Fricker, Programme Director of our master’s degree in Translation here at Bristol, reflects on the nuances of language and how the art of translation relies on understanding your audience.

Headshot of Dr Christophe Fricker. Christophe is wearing a blue-and-white-checked shirt, a v-neck jumper and glasses, and is smiling at the camera.It’s International Translation Day, and I’m a translator. When I tell people, they pause and then they look at me triumphantly, saying that, surely, this particular foreign word they know could not possibly be translated into English. In a way, they’re right, but in practical terms, they’re not. Here’s why.

Take Energiewende, the German term for the political process facilitating the transition towards a zero-carbon economy. And now look back at the previous sentence. What you see is a German term and an English translation. There are three things to say about that translation, all of which are characteristic of what we do as translators – and what you do in your everyday life:

First, the translation serves a particular purpose and a particular audience – you! This is true of literally every translation ever produced. No translation is produced in the void. It is commissioned by someone, carried out by someone, and addressed and perceived by someone with specific interests and skills. The translation reflects and addresses them. This is not a weakness. In fact, it’s the unique strength of translation that it can – and will inevitably – be calibrated to meet a particular need. Yes, that means there will be a need for a new translation at some point, but that is true for the original utterance as well. There are no final words, in any language.

Secondly, my translation of Energiewende is different in length compared to the original. It would be quite unrealistic to expect otherwise. Different languages form their words and their sentences in different ways. A text you translate from English into German will end up being 10% longer in terms of characters but 10% shorter in terms of its word count. I am saying this because translators translate texts, not words. I have worked in this profession for a decade and a half and I have never been asked to translate a word. My clients come to me because they want an advertising slogan or a travel essay or a children’s book translated. When they are looking for a word in another language, they will turn to a dictionary rather than a translator.

What all of this tells us, thirdly and inevitably, is that no two statements map neatly onto each other, between any two languages. The beautiful thing is this, though: the same is also true for any two statements in the same language, and even the same statement in the same language uttered by different people or in different situations. When you say the words ‘I love you’ to your partner, they mean something different from when you say them to your son. When, in response, your partner asks: ‘Where have you been?’, the potential for misunderstanding may be so big that you wish a translator were at hand. Translation is not something that only happens between different languages; wherever we understand each other, we deliver a successful translation.

I get a sense, here, that you are intrigued but perhaps not entirely convinced. Let me give you a little homework – I am a teacher, after all. Imagine you live in an apartment block with people who speak lots of different languages, but the fire safety information sheet is only available in French. You are asked to translate it into English. What would be your first priority? That everybody who walks past appreciates the original French via your translation, or that they know where to go when their pants are on fire? I doubt they have time to worry about untranslatable French words at that point.

Debates about untranslatable words are fireside chat (for which there is definitely a place!). In the meantime, translators like so many of my wonderful colleagues make sure people are safe around the world, and today is the day we celebrate them!

Credit: iStock SDenisov

The MA Translation programme at Bristol combines language-specific practice with training in translation theory and translation technologies. To find out more about this online programme, go to the MA Translation web page or come and see us at one of our Postgraduate visits and open days.