Tag: black humanities

New Directions in Black Humanities Conference, 18 April 2023 – Centre for Black Humanities

Posted on by George Thomas

By Dr Saima Nasar, Senior Lecturer in the History of Africa and its Diasporas, School of Humanities

With the advent of a new academic year fast approaching, we caught up with some of our Faculty Research Centres and Groups to see what they got up to last term. Here, Dr Saima Nasar tells us about the Centre for Black Humanities’s highly successful April conference.

The aim of this conference was to bring together researchers to reflect on ‘New Directions in the Black Humanities’. It sought to showcase the exciting research that is being carried out by a dynamic, interdisciplinary group of early career researchers. In doing so, one of the key ambitions of the conference was to support community building. 

This was an in-person conference, hosted at the University of Bristol by the Centre for Black Humanities. Thanks to generous funding from The Social History Society’s BME Small Grants Scheme and the University of Bristol’s Faculty of Arts Fund, we were able to offer travel bursaries for our conference delegates who joined us from Royal Holloway, the University of Oxford, the University of West London, the University of Bristol, QMUL, the University of Birmingham, SOAS, and the University of Leicester.  

Dr Amber Lascelles opens the conference with reflections on Black Humanities

We began the conference with an introductory talk by Dr Amber Lascelles (RHUL), who reflected on how it might be possible to create a critical mass of Black Humanities scholars in Britain. Lascelles posed the questions: how do we work with and expand the often US-centric scholarship in Black Studies? And how do we network and build, both as practice and method? In so doing, Lascelles stressed the need for community building and mentorship.  

Our first panel on ‘Literatures’ started with University of Bristol MA Black Humanities student, Kennedy Marie Crowder. Crowder’s paper (‘Fabulation, Physics and Racial Horror: The Non-local Unreality of Black Literature’) probed what ‘reality’ to a Black person is. She explored how speculative fiction by Black authors represents racialised geographies. Her paper was followed by Andrea Bullard (doctoral researcher, University of Bristol) who presented on romance representation in media and Black historical fiction. The panel concluded with Tony Jackson’s (MA Black Humanities, University of Bristol) paper on ‘The Thin Line Between Love and Obsession’. 

MA Black Humanities student, Kennedy Marie Crowder, delivers her paper
PhD Creative Writing candidate, Andrea Bullard, presents her paper

Our second panel was on the theme ‘Black Lives and Activism’. Sascha-DaCosta Hinds (doctoral researcher, University of Oxford) chaired the session. Wasuk Godwin Sule-Pearce (doctoral researcher, University of West London) started the panel with a comparative study of ‘quadruple consciousness’. Sule-Pearce examined the transatlantic experiences of Black LGBTQ+ students in Higher Education institutes in the UK, US and South Africa. Caine Tayo-Lewin Turner (doctoral researcher, University of Oxford) followed with an illuminating paper on Black anarchism and the ‘anarcho turn’ of Black British protest and thought. He argued that the Black rebellions of the 1980s was the logical conclusion of over a decade of dissident norms established by Black radicals. Dr Melsia Tomlin-Kräftner (Lecturer in Qualitative Research, University of Bristol) then presented her research on migrations of British colonial Caribbean people.  

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The first afternoon session focused on ‘African Studies’. We had four brilliant papers by Celine Henry (doctoral researcher, University of Birmingham), Henry Brefo (doctoral researcher, University of Birmingham), Danny Thompson (doctoral researcher, University of Chichester) and Helina Shebeshe (doctoral researcher, SOAS). The papers covered histories of Asantehene Prempeh I, educational scholarships and development bureaucracy in Ghana, and Ethiopian migrants in the United Kingdom and their understanding and experiences of belonging. The panel was chaired by Dr Saima Nasar (Senior Lecturer in the History of Africa and its Diasporas, University of Bristol).  

Celine Henry-Agyemang, University of Birmingham, delivers her paper

Our final panel on ‘Fashioning Selves’ was chaired by Ross Goodman-Brown (doctoral researcher, University of Bristol). The panellists included: Natasha Henry (doctoral researcher, University of Leicester), Claudia Jones (MA Black Humanities student, University of Bristol) and Olivia Wyatt (doctoral researcher, QMUL). Each paper examined race and racialisation. Wyatt, for instance, interrogated the ambivalent attitudes towards Black mixed-heritage children between the 1920s and the early 1950s.  

Olivia Wyatt, Queen Mary University of London, presents her paper

We were hugely honoured to then be joined by our keynote speaker: author, feminist and academic researcher, Lola Olufemi. Olufemi’s paper ‘Only the Promise of Liberation’ examined the purpose, utility and function of the imagination in the work of anti-racist and feminist grassroots political mobilisations in the UK.  

Feedback from the day was overwhelmingly positive: 

‘New Directions brought together some of the most talented emerging scholars working in Black Humanities in Britain. I thought the quality of the research on offer and the generosity of the questions and discussion made for a very warm and supportive environment. For some it was their first time giving a paper in person, and many shared with me that the collegiality in the room made this a much less daunting experience. The event made me excited and hopeful for the future of Black Humanities.’ Dr Amber Lascelles (RHUL).  

‘The conference was a fantastic opportunity to bring together different voices — from around the world — working within the field of Black humanities. Not only did it provide us with refreshingly alternative concepts and methodologies, the conference also functioned as a safe space for upcoming researchers from ethnically-marginalised backgrounds navigating workplaces that are overwhelmingly White. The love, care and support that emerged within these sessions fill me with hope and excitement for the future of Black humanities in Britain.’ Olivia Wyatt (QMUL).

Olivia Wyatt, Wasuk Godwin Sule-Pearce, Caine Tayo-Lewin Turner, and Sascha DaCosta-Hinds in discussion

‘New Directions provided an encouraging and welcoming space, bringing together a diverse set of researchers united by the concern for the future of black studies. The range of focus and disciplinary methods (without the pretence of uniform expertise) made participation both rewarding and generative. Distinct ideological undercurrents did not serve to divide but rather inform a dialogue on the political dimensions of black humanities as a discourse; I gained clarity on my position as well as the field in general. I look forward to the Centre’s future events and conferences.’ Caine Tayo Lewin-Turner (University of Oxford).  

‘I thoroughly enjoyed New Directions in Black Humanities at Bristol. As an Africanist it is often difficult to see how my work falls into conversations on black humanities, however the breadth of research made me feel at ease while at the programme. I heard many amazing discussions as well as questions and contributions which I will be exploring in my methodology for my own research. The key thing I am taking away from the programme is the rich network of researchers that I met and hope to keep in touch with throughout my research career. I hope this programme is organised again next year.’ Celine Henry (University of Birmingham).   

Many thanks to everyone who participated in and supported the conference!  

The Centre for Black Humanities is an international interdisciplinary hub for Black Humanities research in the heart of Bristol. To find out more about the Centre’s activities, research and to join the mailing list, please contact cbh-publicity@bristol.ac.uk. You can also stay up to date through the Centre’s Twitter account.

Black Lecturer – Philip Leverhulme Prize

Posted on by George Thomas

By Dr Josie Gill, Associate Professor in Black British Writing, School of Humanities

With thanks to The Leverhulme Trust for their consent to republish piece in February 2023 newsletter on ArtsMatter platforms.

Fewer than 1% of professors at UK universities are black. The implications of this startling statistic have been much debated, and sociologists and educational researchers are increasingly studying the experiences of black academics. As a literary scholar and a black woman, I am interested in exploring narratives about black people in higher education in literature, memoir and life writing. While many such accounts exist in the US, there are far fewer literary and autobiographical representations of black British academic life, no doubt a reflection of the fact that there are, and have historically been, so few of us. Black British writing about UK education has tended to focus on the school level; for example, E.R. Braithwaite’s To Sir, With Love (1959), Dillibe Onyeama’s Black Boy at Eton (1972) and Beryl Gilroy’s Black Teacher (1976). 

Photograph of Josie Gill, smiling, looking off to the left.
Image Credit: Artur Tixiliski

I am using my Leverhulme Prize funds to write a book called Black Lecturer, which will bring my own experiences of working in higher education into conversation with fictional and non-fictional writing about black British experiences of education. I aim to illuminate the ways in which black academics move through university life, as a means to examine the institutional and research cultures that characterise twenty-first-century UK academia. This project includes a close look at the politics of race in my own discipline, literary studies, and how black British writing has been historically addressed within it. Using the history of the English department at the University of Bristol as a case study, my book will connect personal reflection with literary, disciplinary and institutional analysis to explore the significance of race in higher education.  

My approach to writing this book differs significantly from my previous work. I aim to draw parallels between the strategies, structures, affects and language that characterise my everyday experience as a black lecturer; literary methodologies; and the characteristics of institutional culture. The book will be organised around a series of themes which traverse these areas and will model, in its approach and structure, a methodology for literary research in which the archive is expanded to include my emails, where textual analysis includes institutional statements and departmental strategy, and close reading moves beyond text to include bodies and interpersonal interactions. I hope my research will contribute to ongoing discussions about how we study English Literature and demonstrate how accounts of the black British experience can inform this debate. 

Modernisms: Decolonising art’s history

Posted on by Kathryn Pintus

The Autumn Art Lectures are back in person!

This year marks the 117th anniversary of the Autumn Art Lecture Series. Conceived as a platform for Art and Art History in what was then University College Bristol, the series has remained a highlight in Bristol’s cultural calendar. Over the course of its lifetime, the series has explored themes ranging from the monstruous to the celestial, and hosted such luminaries as Kenneth Clarke, EH Gombrich, Toshio Watanabe, Laura Mulvey and David Olusoga. More recently, a commitment to making space for artists to discuss their own practice has added Paul Gough, Richard Long and 2022 Turner Prize shortlisted-artist Ingrid Pollard to the series’ list of prestigious alumni.

Last year we celebrated the return of the series after a pandemic-related hiatus – the second of only two interruptions in the series’ history, following a short break after the outbreak of the Second World War – with an online event. This year, we are delighted to welcome visitors back on campus to consider the possibilities and implications opened up by recasting ‘Modernisms’. What happens when we challenge the concept of Modernism as a monolithic entity? Is there just one Modern or many? What does it mean to think of Modernism on the global stage? Is there such a thing as an ‘alternative’ Modernism or is Modernism itself already inherently hybrid?

Our theme this year coincides with Bristol’s Festival of Ideas 2022, titled Modernism 1922, which looks to the legacies of that remarkable year – from the publication of James Joyce’s Ulysses and T S Elliot’s The Waste Land to the famous Bauhaus exhibition in Calcutta (now Kolkata). A tribute to Kevin Jackson’s book, Constellation of Genius: 1922: Modernism and All That Jazz, the Festival explores 1922 via film screenings, discussions and new commissions.

In keeping with its spirit – but broadening its ambit – the Autumn Art Lectures will topple the notion of a Euro-American Modernism, which leaves the non-Western world out in the cold. The series will challenge the concept of Modernism as a monolithic entity – it will stress and stretch its polyvalent nature, debating its relationship to nation, diaspora, inclusivity, and race. As many institutions – from galleries and museums to universities – attempt to engage meaningfully with global visual culture, this investigation is vital and timely. Our inter-disciplinary speakers include academics, curators, artists and pedagogues who have grappled with the idea of the Modern, paying particular attention to Blackness, Asian-ness and decolonisation; to anti-colonial struggles and lasting institutional prejudices; to dismantling the hierarchies of Englishness in favour of a more inclusive ‘Britishness’; to revealing the Islamic and Afro-Asian traditions nestled at the core of the so-called ‘Western’ canon. With speakers from (or addressing) the African diaspora, the Islamic world, South Asia, Latin America, the UK and the US, the series aims to expose the polyphonies and diversities that sit at the heart of Modernism.

This event series is open to all, and we look forward to welcoming you to the University of Bristol for these engaging talks.

Events in the series:

The Centre for Black Humanities: Who we are and future directions

Posted on by Kathryn Pintus

By Dr Saima Nasar and Professor Madhu Krishnan, Co-Directors of the Centre for Black Humanities

The Centre for Black Humanities is an international hub for Black Humanities research in the heart of Bristol. The Centre aims to foster the broad range of research currently being done at the University of Bristol around the artistic and intellectual work of people of African descent. Some of our current interdisciplinary projects include Dr Josie Gill’s research on ‘Black Health and the Humanities’, Dr Elizabeth Robles’ work on Black British Art, and Dr Justin William’s project on UK Hip-Hop. Other research projects include those relating to ethics and social justice, literary activism, and slavery and its legacies.

The Centre is committed to reaching audiences outside the traditional university through a diverse programme of film screenings, reading groups, performances, and research collaborations with local communities. Such activities enable our research to generate impact in other areas including the cultural industries and higher education policy.

Our main priorities as a Centre are: collaboration, interdisciplinarity, engagement, exchange, and internationalism. The Centre works with academics, artists and practitioners – nationally and internationally –  to produce world-leading research in Black Humanities. We work across disciplines in the Arts and Humanities but also beyond, with researchers in the Sciences and Social Sciences. Centre members also facilitate a wide range of public engagement activities based on our research in local, national and international settings, working with museums, charities and other organisations to deliver high-quality, non-academic outputs.

Additionally, we have active research partnerships with local writers, artists and grassroots organisations in Bristol. These help create high-profile opportunities for mutual exchange and collaboration on issues of local and national importance. We also have academic and creative partners in Uganda, Ghana, Senegal, Angola, Portugal, Brazil, and the US, amongst others. A list of our international board members can be found on our website.

The Centre has had a series of visiting scholars join us. In 2021, we were delighted to host Professor Nicola Aljoe. Professor Aljoe’s research is on Black Atlantic and Caribbean literature with a specialisation on the slave narrative and early novels. She described her time in Bristol:

‘Despite the ongoing COVID pandemic, my sojourn at the Centre for Black Humanities in Bristol during the fall term of 2021 was an incredibly productive and intellectually engaging experience. I conducted research in the Bristol archives on two related projects. The first was the creation of a digital map of the various locations associated with Black people in 18th – century London through the lens of Ignatius Sancho. The second project was my book manuscript on representations of women of colour from the Caribbean in fictional European texts between 1790 and 1830. Such data productively challenges notions of absence of Black people in the archives of Britain at this time, and provides more details about the complexities of their lives.’

The Centre offers exciting opportunities for our early career and postgraduate community, through cutting-edge research and dialogue with arts and community activists. This year, Adriel Miles, Alice Kinghorn and Francis Asante are coordinating a programme of events. Francis explained:

‘The Centre plans to organise a number of postgraduate research (PGR) seminars and reading groups. Two seminars are planned for the first teaching block on topics related to the exploration of racial communities in online spaces, and the relationship between race, music, and cultural politics. These events are designed to encourage a sense of community in the Centre, and to provide a space for learning and socialising. Preparations for the seminars are still ongoing, and further information about them will be shared soon.’

Dr Saima Nasar and Professor Madhu Krishnan

(Centre Co-Directors)