Category: #BlackHumanities

Reel Change: Using Historical Film to Inform Gender Activism in Ghana

Posted on by George Thomas

By Professor Kate Skinner, Professor of African History, School of Humanities

Professor Kate Skinner tells us about a collaborative project which uses historical film to challenge misrepresentation of gender activism in Ghana. Given the under-representation of Ghanaian women in national and local politics, this research is an important intervention. Kate and her collaborators recently received an AHRC Impact Acceleration Account award, which they are using to demonstrate the positive influence of humanities research on democratic participation.

The Background

Under the 1992 constitution, Ghana has become a ‘consolidated democracy’ (meaning that there have been multiple peaceful handovers of power resulting from free and fair elections). Civil society organisations have flourished, and since 2004 a broad-based non-partisan Women’s Manifesto Coalition has set out the steps that governments should have been taking towards gender-equitable development. Yet women’s democratic participation is still severely constrained.

Fewer than 20% of Ghana’s parliamentarians are women. In local government, fewer than 10% of district assembly members are women. Three key pieces of legislation that were promised by successive governments in their periodic reports to the United Nations Committee on the Elimination of Discrimination Against Women (CEDAW) have been stalled. How can historical research help us to explain and close the gap between the vibrancy of non-governmental organisations of women in Ghana, and the persistent under-representation of women in elected national and local government?

The research

Between 2018 and 2022, Prof Kate Skinner and Prof Akosua Adomako Ampofo co-led a British Academy-funded project titled An Archive of Activism: gender and public history in postcolonial Ghana, to which they recruited a postdoctoral researcher, Dr Jovia Salifu. The archival and oral history research that they carried out showed how negative and delegitimising misrepresentations of gender activism have constrained women’s participation in public life in particular ways. Gender activism has been repeatedly depicted as a recent ‘foreign import’ to Ghana, meaning that when women organise collectively to raise difficult issues, they can be dismissed as ‘westernised’, elitist, or out-of-touch with the supposed mass of ‘typical’ Ghanaian women.

When Women Speak (2022). Directed by Aseye Tamakloe. Produced by Akosua Adomako Ampofo and Kate Skinner. Funded by the British Academy’s Sustainable Development Programme.

In order to challenge the myth that gender activism is a recent ‘foreign import’, the project generated a documentary film, When Women Speak, which revealed the long and rich history of women’s mobilisations in Ghana. Directed by Aseye Tamakloe, and shot entirely in Ghana by a Ghanaian crew, this film was screened at multiple international film festivals. It is now available free-to-view at https://whenwomenspeakfilm.com/.

Impact of the film

Initial screenings of the film in Ghana suggested many ways in which it could be utilised, both in university and senior-secondary school settings, and by people working outside of the formal education sector. Through a collaboration with Dr Rose Mensah-Kutin – Executive Director of Abantu-for-Development, one of Ghana’s leading women’s organisations – the project team were able to further explore potential uses of the film among three particular groups:

  • District assemblywomen – who contest elections at the local government level and play key roles in local development.
  • Journalists – who play a key role in enhancing public understanding of gender issues.
  • Ministry of Gender, Children, and Social Protection (MoGCSP) – which has a broad policy oversight, presents draft bills for cabinet approval, and runs a range of sensitisation programmes.
District assemblywomen and aspiring candidates gathered at the August 2023 workshop

In August 2023, funding from the Arts and Humanities Research Council’s Impact Acceleration Account enabled workshops to be held with representatives of these three groups. With the help of expert facilitators, we identified pertinent themes which could be excerpted from the film, and ways of integrating these excepts with discussion questions and additional materials, in short and flexible training packages. We also identified the specific settings in which these training packages might be used, and potential obstacles – for example, the relatively high cost of mobile data packages relative to average incomes, and constraints on organisations’ internal resources for continuing professional development and public sensitisation programmes.

Professor Kate Skinner (centre) talks with Dr Sika Jacobs-Quarshie (right) and Dr Rose Mensah-Kutin (left)

Evaluations

In their evaluations of the workshop, district assemblywomen and aspiring candidates highlighted the well-documented issues of verbal abuse and unpleasant gossip that risk deterring women in election campaigns and undermining them once they are elected. Participants commented that seeing the struggles and achievements of earlier generations of Ghanaian women in the film was important for the motivation and confidence of candidates and serving assemblywomen:

  • ‘It will be an everyday reminder to them [women candidates] that the road is rough but determination will take them there.’
  • ‘It will build their capacity to know how far they can go if they want to become leaders.’
  • ‘…it gives you courageousness to move ahead and not feel intimidated.’

Reflecting on the workshop, a journalist participant observed that training packages based on the film would be ‘a valuable addition to existing training programmes for media professionals. They can help raise awareness about gender stereotypes, promote inclusivity, and encourage more accurate and diverse representation in media.’

 

Next steps

The Public Affairs officer of the Ghana Journalists’ Association concluded: ‘The story about women’s rights in Ghana must continue to be told. Generations down the line ought to understand where it all started, how it’s going and the way forward.’

The training packages are now in development. Watch this space!

Professor Kate Skinner is Professor of African History and Research Director for the School of Humanities. To find out more about Kate’s research, the When Women Speak film, and the training packages in development, please email kate.skinner@bristol.ac.uk.

New Directions in Black Humanities Conference, 18 April 2023 – Centre for Black Humanities

Posted on by George Thomas

By Dr Saima Nasar, Senior Lecturer in the History of Africa and its Diasporas, School of Humanities

With the advent of a new academic year fast approaching, we caught up with some of our Faculty Research Centres and Groups to see what they got up to last term. Here, Dr Saima Nasar tells us about the Centre for Black Humanities’s highly successful April conference.

The aim of this conference was to bring together researchers to reflect on ‘New Directions in the Black Humanities’. It sought to showcase the exciting research that is being carried out by a dynamic, interdisciplinary group of early career researchers. In doing so, one of the key ambitions of the conference was to support community building. 

This was an in-person conference, hosted at the University of Bristol by the Centre for Black Humanities. Thanks to generous funding from The Social History Society’s BME Small Grants Scheme and the University of Bristol’s Faculty of Arts Fund, we were able to offer travel bursaries for our conference delegates who joined us from Royal Holloway, the University of Oxford, the University of West London, the University of Bristol, QMUL, the University of Birmingham, SOAS, and the University of Leicester.  

Dr Amber Lascelles opens the conference with reflections on Black Humanities

We began the conference with an introductory talk by Dr Amber Lascelles (RHUL), who reflected on how it might be possible to create a critical mass of Black Humanities scholars in Britain. Lascelles posed the questions: how do we work with and expand the often US-centric scholarship in Black Studies? And how do we network and build, both as practice and method? In so doing, Lascelles stressed the need for community building and mentorship.  

Our first panel on ‘Literatures’ started with University of Bristol MA Black Humanities student, Kennedy Marie Crowder. Crowder’s paper (‘Fabulation, Physics and Racial Horror: The Non-local Unreality of Black Literature’) probed what ‘reality’ to a Black person is. She explored how speculative fiction by Black authors represents racialised geographies. Her paper was followed by Andrea Bullard (doctoral researcher, University of Bristol) who presented on romance representation in media and Black historical fiction. The panel concluded with Tony Jackson’s (MA Black Humanities, University of Bristol) paper on ‘The Thin Line Between Love and Obsession’. 

MA Black Humanities student, Kennedy Marie Crowder, delivers her paper
PhD Creative Writing candidate, Andrea Bullard, presents her paper

Our second panel was on the theme ‘Black Lives and Activism’. Sascha-DaCosta Hinds (doctoral researcher, University of Oxford) chaired the session. Wasuk Godwin Sule-Pearce (doctoral researcher, University of West London) started the panel with a comparative study of ‘quadruple consciousness’. Sule-Pearce examined the transatlantic experiences of Black LGBTQ+ students in Higher Education institutes in the UK, US and South Africa. Caine Tayo-Lewin Turner (doctoral researcher, University of Oxford) followed with an illuminating paper on Black anarchism and the ‘anarcho turn’ of Black British protest and thought. He argued that the Black rebellions of the 1980s was the logical conclusion of over a decade of dissident norms established by Black radicals. Dr Melsia Tomlin-Kräftner (Lecturer in Qualitative Research, University of Bristol) then presented her research on migrations of British colonial Caribbean people.  

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The first afternoon session focused on ‘African Studies’. We had four brilliant papers by Celine Henry (doctoral researcher, University of Birmingham), Henry Brefo (doctoral researcher, University of Birmingham), Danny Thompson (doctoral researcher, University of Chichester) and Helina Shebeshe (doctoral researcher, SOAS). The papers covered histories of Asantehene Prempeh I, educational scholarships and development bureaucracy in Ghana, and Ethiopian migrants in the United Kingdom and their understanding and experiences of belonging. The panel was chaired by Dr Saima Nasar (Senior Lecturer in the History of Africa and its Diasporas, University of Bristol).  

Celine Henry-Agyemang, University of Birmingham, delivers her paper

Our final panel on ‘Fashioning Selves’ was chaired by Ross Goodman-Brown (doctoral researcher, University of Bristol). The panellists included: Natasha Henry (doctoral researcher, University of Leicester), Claudia Jones (MA Black Humanities student, University of Bristol) and Olivia Wyatt (doctoral researcher, QMUL). Each paper examined race and racialisation. Wyatt, for instance, interrogated the ambivalent attitudes towards Black mixed-heritage children between the 1920s and the early 1950s.  

Olivia Wyatt, Queen Mary University of London, presents her paper

We were hugely honoured to then be joined by our keynote speaker: author, feminist and academic researcher, Lola Olufemi. Olufemi’s paper ‘Only the Promise of Liberation’ examined the purpose, utility and function of the imagination in the work of anti-racist and feminist grassroots political mobilisations in the UK.  

Feedback from the day was overwhelmingly positive: 

‘New Directions brought together some of the most talented emerging scholars working in Black Humanities in Britain. I thought the quality of the research on offer and the generosity of the questions and discussion made for a very warm and supportive environment. For some it was their first time giving a paper in person, and many shared with me that the collegiality in the room made this a much less daunting experience. The event made me excited and hopeful for the future of Black Humanities.’ Dr Amber Lascelles (RHUL).  

‘The conference was a fantastic opportunity to bring together different voices — from around the world — working within the field of Black humanities. Not only did it provide us with refreshingly alternative concepts and methodologies, the conference also functioned as a safe space for upcoming researchers from ethnically-marginalised backgrounds navigating workplaces that are overwhelmingly White. The love, care and support that emerged within these sessions fill me with hope and excitement for the future of Black humanities in Britain.’ Olivia Wyatt (QMUL).

Olivia Wyatt, Wasuk Godwin Sule-Pearce, Caine Tayo-Lewin Turner, and Sascha DaCosta-Hinds in discussion

‘New Directions provided an encouraging and welcoming space, bringing together a diverse set of researchers united by the concern for the future of black studies. The range of focus and disciplinary methods (without the pretence of uniform expertise) made participation both rewarding and generative. Distinct ideological undercurrents did not serve to divide but rather inform a dialogue on the political dimensions of black humanities as a discourse; I gained clarity on my position as well as the field in general. I look forward to the Centre’s future events and conferences.’ Caine Tayo Lewin-Turner (University of Oxford).  

‘I thoroughly enjoyed New Directions in Black Humanities at Bristol. As an Africanist it is often difficult to see how my work falls into conversations on black humanities, however the breadth of research made me feel at ease while at the programme. I heard many amazing discussions as well as questions and contributions which I will be exploring in my methodology for my own research. The key thing I am taking away from the programme is the rich network of researchers that I met and hope to keep in touch with throughout my research career. I hope this programme is organised again next year.’ Celine Henry (University of Birmingham).   

Many thanks to everyone who participated in and supported the conference!  

The Centre for Black Humanities is an international interdisciplinary hub for Black Humanities research in the heart of Bristol. To find out more about the Centre’s activities, research and to join the mailing list, please contact cbh-publicity@bristol.ac.uk. You can also stay up to date through the Centre’s Twitter account.