Publishing Success for Creative Writing PhD Student Ash Bond – Peregrine Quinn

By Ash Bond, PhD Creative Writing student, School of Humanities

As the first proofs of her debut novel arrive in bookshops, PhD Creative Writing student Ash Bond introduces us to the wonderful world of Peregrine Quinn and explains how her time at Bristol has influenced her writing.

My debut novel Peregrine Quinn and the Cosmic Realm is the first in a fantasy series, aimed at – primarily – an audience of nine to twelve-year-olds, what those in the publishing sphere refer to as ‘Middle Grade’. Middle Grade is where you will find The Chronicles of Narnia, Artemis Fowl, and Percy Jackson. It is also where you used to find Harry Potter, but now of course he gets his very own section (with matching rucksacks and light-up pens).

 

The idea that a magical world is just a wardrobe or a train platform away is commonplace on these shelves. In Middle Grade books if you say the right spells, tap the right rock, or mess with the wrong fairy, you could end up – quite literally – anywhere. In Peregrine Quinn, the entrance to the Cosmic Realm lies behind a bookshelf in a library (I am a writer with a vivid imagination, but I am also an academic and, as the adage goes, write what you know). It is in one of these libraries where the first book begins, with Peregrine and her godfather Daedalus breaking into Portal Number Nine in the Bodleian Library, Oxford.

One of my greatest joys in writing fantasy books for children is in framing these opportunities for the reader to look at this world, a world that can often appear so devoid of wonder, with renewed curiosity. Is that person on the Tube looking at a map of the London Underground, or the Under-Underground? Check next time, you just never know.


“The weaving of myth and imagination, of research and creativity, is a skill that the Creative Writing PhD at Bristol offers much practice in”


As I transition into the second year of my PhD in Creative Writing at the University of Bristol, I am also moving onto write the second in the Peregrine series. In this second book, the library door is opened wider, and the reader is invited further into the Cosmic Realm. As the world expands, I find myself drawing more and more upon the mythology that forms the basis of much of Peregrine’s universe, a universe that is at once both familiar, and deeply strange. Hekate for example, the classical goddess of witchcraft, in Peregrine’s world runs HekTek Laboratories and specialises in poisons. Daedalus, the architect who designed Minos’s famous labyrinth, in this novel has designed the portal system that connects the Terran Realm (Earth) with that of the Cosmic Realm (Olympus).

The weaving of myth and imagination, of research and creativity, is a skill that the Creative Writing PhD at Bristol offers much practice in. The Creative Writing PhD itself is made up of two strands: one creative and one critical, and is designed so that both strands complement and elevate each other. Like all PhD students, I am lucky enough to have two supervisors; one in Creative Writing, Dr Joanna Nadin, and one in Myth, Dr Vanda Zajko. Both of my supervisors are incredibly generous with their support and rigorous in their feedback, offering me the opportunity to grow as both a writer and as an academic.

The second book is only half written, and with at least one more book to write in this series I am beyond grateful for the consistent opportunities for inspiration – mythological and otherwise – that are offered by the dynamic, interdisciplinary academic environment provided by the university. And while I am very much at the beginning of both my PhD and my publication journey, I look forward to working with Bristol University as Peregrine’s adventure continues.

Ash Bond is a PhD Creative Writing student who recently secured a three-book deal with Piccadilly Press to bring her Peregrine Quinn series to life. The first book, Peregrine Quinn and the Cosmic Realm, will be published in April 2024 by Piccadilly Press which you can pre-order now. To find out more about Ash’s research, please email xn22400@bristol.ac.uk.

Mariners: Religion, Race and Empire in British Ports, 1801-1914 – One year on

The fabulous Bristol Harbour Festival is on again! This means it is over a year since Professor Hilary Carey, Professor of Imperial and Religious History, and Dr Sumita Mukherjee, Associate Professor in Modern History, received funding from the Arts and Humanities Research Council for a project examining missions to British and Asian seafarers in the ports of Bristol, Liverpool, Hull and London. 

What progress has been made? 

The most important change is that we are now a team.  

We are delighted to introduce Dr Lucy Wray who comes to us from Belfast where she has been working on the Madill Archive project, a collection of over 5,000 photographs documenting the history of Irish boats. Lucy is working on the stream of the project which focuses on lascars, a term often used for non-European seafarers employed on British ships. Lascars were predominately from Asia, Africa, and the Caribbean. 

We also welcome Dr Manikarnika Dutta, who is an historian of colonialism, medicine and public health. Her DPhil thesis at Oxford studied the health and welfare of European seamen in Indian port cities such as Calcutta and Bombay. In this project, she will be working on British mariners and the imprint the network of sailorshomes, missions, orphanages and welfare services had on port cities. 

Our research administrator is Jess Kirkby, who has lived in Bristol for the last ten years and has worked for a number of charities in the culture and environment sectors, including the RWA Gallery and the Forest of Avon Trust. 

In the sections below we outline some of our work in the past few months. 

Port histories 

We are only getting started, but already we are finding that archival records relating to the merchant marine are voluminous and very widely scattered. Partly because they were situated in liminal settings, literally by the shore and within easy access to commercial ports, many of the buildings that used to cater for the peripatetic merchant marine are no more.  

We are currently building a project website where we hope to map out some of the historical traces that missions and seafarers left on port cities, including Bristol.  

During the Bristol blitz of 1940, the Seamen’s Mission Church on Prince’s Street was partly destroyed and remains an eyesore in the heart of the city.

Former Seamen’s Church and Institute, Prince Street Bristol 1920s. Source: Hartley Collection at M Shed.

Former Seamen’s Church and Institute, Prince Street Bristol in 2023. Source: George Thomas.

 

 

 

 

 

 

 

 

 

 

 

In May 2023, BristolLive reported that there were plans to restore the building, with one proposal advocating the creation of a Museum and Memorial to the Victims of Enslavement. If so, it will have fared better than the magnificent Liverpool Seaman’s Mission, of which all that remains are the gates – now part of the portside shopping centre.  

Gates to Liverpool Seaman’s Mission, opened in 1850 and demolished in 1974. Source: Jessica Moody, 10 July 2023

Race and empire histories 

Lucy Wray has been scouring the print records of missionary societies looking for visual sources for the project. The illustration below encapsulates the project’s key themes around race, religion and empire. The scene from 31 May 1856 shows Prince Albert surrounded by guests of different ethnicities in a room strewn with flags from the empire and a biblical banner reading ‘Be not forgetful to entertain strangers’. The monarch was welcomed by waving crowds at London’s West India dock as he laid the foundation stone for The Strangers’ Home for Asiatics, Africans and South Sea Islanders. 

 

Prince Albert lays the foundation stone of the Strangers’ Home, 31 May 1856, Illustrated London News, 14 June 1856. Source: Public Domain. Wikimedia Commons

 

 

Lucy is exploring how religious institutions like the Strangers Home for Asiatics interacted with lascars. In the nineteenth century, the British Merchant Marine was transformed by the employment of lascars. On the outbreak of war in 1914, 30% of merchant crews were born abroad, and lascars comprised 1 in 6 of these men.   

In addition to difficult working conditions, restrictions, lower pay, and prejudice, lascars struggled to find accommodation in British ports. For most of the nineteenth century, voluntary religious societies and missions were the mainstays of welfare, accommodation and support services for this extensive, vulnerable, multi-ethnic and multi-religious labour force. By exploring visual sources, alongside print sources, Lucy hopes to offer insights into the gendered and racialised ways in which missions and lascars interacted across the century. 

British mariners, missions and welfare 

Manikarnika Dutta has been working in the Hull History Centre which holds the records of the Anglican Mission to Seafarers, who are our project partners. 

She has found extensive annual reports of the Port of Hull Society for the Religious Instruction of Seamen and the Hull Sailor’s Home. These reports describe the religious and moral advice to British seamen through ministries and the promotion of healthy living practices through institutional accommodation between voyages.  

Manikarnika has been particularly struck by the institutions created for the families of seafarers, and the extent to which the women of maritime ports supported charitable and religious outreach to sailors. One example was the Hull Seamen’s and General Orphan Asylum, ‘established for the maintenance, clothing and education of the Fatherless children of seamen and others’ 

A very interesting part of the archives are the Hull Mariners’ Church Orphan Society records that describe the welfare for the children of seamen, especially local fishermen, who died in shipwrecks or from other causes in service. Manikarnika will be studying this further to understand the history of orphanages as charitable institutional care and compare different trajectories of Victorian debates on child welfare. She hopes to address broader themes such as poverty, homelessness, criminality along with compassion, love and charity and Christian morals to write an emotional, social and religious history of care homes for seamen. 

 

Hull Seamen’s and General Orphan Asylum, 1860. Hull History Centre, The Records of the Hull Seamans and General Orphanage, ALBUM 1863-1900, C DSHO 2/56. Credit: Hull City Archives, Hull History Centre

 

 

In May 1871, the children of the Orphan Asylum sang a special hymn with these words: 

Thou Who are the Orphans’ Father 

Deign to hear the Orphans’ prayer 

While they round Thy footstool gather, 

Humbly trusting in Thy care. 

Here no father’s arm defends them, 

Here no father’s love can bless, 

Strangers’ aid alone befriends them, 

Father! Help the fatherless! 

Source: Hull History Centre, The Records of the Hull Seamans and General Orphanage, ALBUM 1863-1900, C DSHO 2/56. Credit: Hull City Archives, Hull History Centre. 

What comes next? 

We are eagerly looking forward to further discoveries in Liverpool, Hull and Bristol. We are excited to find how different these cities were and how diverse and adventurous the lives of the sailors who visited them were.  

We are especially keen to find out how British and Asian mariners worked together and why the merchant marine became so racially, religiously and socially divided. If any readers have any of their own stories or images to share about this fascinating history, please get in touch with the project team! 

Contact us 

You can follow the development of the Mariners project through our Bristol blog. Or do send us an email:

Hilary Carey hilary.carey@bristol.ac.uk

Sumita Mukherjee sumita.mukherjee@bristol.ac.uk

Lucy Wray lucy.wray@bristol.ac.uk

Manikarnika Dutta manikarnika.dutta@bristol.ac.uk

Jess Kirkby jess.kirkby@bristol.ac.uk

Girls on the Pitch: Making Change Happen for Women’s Football in Brazil

Dr Mark Biram tells us about his project to empower young girls in Brazil through participation in football. Mark is working closely with Brazilian NGO Meninas em Campo (Girls on the Pitch), as well as leading academic on women’s sport in Brazil, Silvana Goellner, to achieve this aim. The project has recently received an AHRC Impact Acceleration Account award, aligns with the University’s efforts to achieve social justice both at home and abroad, and is yet another example of how arts and humanities research can influence change for the better.

Logo for Meninas Em Campo, which features the words in large yellow typeface against a dark background with a silhouette of a girl heading a football in the air in the middle of the picture.
Meninas Em Campo, translates as Girls on the Pitch in Portuguese

With help from the AHRC Impact Acceleration Account, in collaboration with a Brazilian NGO Meninas em Campo and leading academic on women’s sport in Brazil, Silvana Goellner, we are designing a project aimed at the empowerment of young girls through participation in football from a young age. Our project will raise awareness of crucial social, economic and logistical barriers which currently discourage or prevent girls from participating in football, providing practitioners with a blueprint to replicate the work of Meninas Em Campo (Girls on the Pitch), a project which uses football as a vehicle for the empowerment of girls and to help them negotiate the difficulties of adolescence.

Meninas Em Campo has proved itself to be a highly successful proactive example of promoting gender equality through both discourse and practice. It is a non-profit organisation located in Butantã, São Paulo which offers a space for 9-17 year old girls to develop as footballers. The project is financed by Colégio Santa Cruz and supported by the University of São Paulo. Meninas Em Campo is the largest grassroots socially motivated girls football project, outside of those of the big clubs.

Why is this research important?

Whilst carrying out ethnographic research with Santos FC Women in 2018 & 2019 I became aware of the lack of formalised spaces for girls to play the game from an early age. At present, all major Brazilian clubs have a women’s team, in order to comply with national and international regulations. However, there is still a lacuna in provision for younger girls. Projects like Meninas em Campo provide a blueprint which can be replicated elsewhere.

What does the research project involve?

The project involves producing and disseminating materials which practitioners can use to attract girls to playing the game in the first instance, and to engage them with the wider issues attached to gender and other inequalities through the lens of sport. The project intends to engage with secondary schools across Brazil showcasing the best practices of Meninas em Campo and providing the schools with a range of materials which they can use to develop their own provision for girls’ football.

What are the next steps for Girls on the Pitch?

After the initial scoping trip in January, we have already applied for a further round of funding with a view to producing a guide for practitioners on how best to optimise opportunities to raise issues of gender inequality, problems faced by girls during adolescence and how best to engage the public and private sector into investing in the women’s game. This guide is led by the findings of Dr. Mark Biram’s PhD thesis Women’s Club Football in Brazil and Colombia: A Critical Analysis of Players, Media and Institutions and by the work of Hispanic, Portuguese & Latin American Studies PhD candidate Júlia Belas Trindade, who has published a series of Guardian articles on the growth of the women’s game.

We wish Mark every success with Girls on the Pitch and look forward to seeing how the research project develops.

Dr Mark Biram is an early career researcher and teaching associate in the Department of Hispanic, Portuguese and Latin American Studies. To find out more about Mark’s research, please email mark.biram@bristol.ac.uk.

Mariners: Religion, Race and Empire in British Ports, 1801-1914

The weekend of 15-17 July 2022 marks the 50th anniversary of the Bristol Harbour Festival. This event is a calendar highlight for many in the region, showcasing Bristol’s talent and heritage, and celebrating the diverse communities that form the heart and soul of the city. Set, as its name suggests, around the unique setting of Bristol’s harbourside, the festival hosts several events and activities with a maritime theme. This got us thinking about Bristol’s seafaring history, and what port cities in Britain might have been like a century or two ago.  

Ahead of the festivities, we caught up with Professor Hilary Carey, Professor of Imperial and Religious History, and Dr Sumita Mukherjee, Associate Professor of Modern History, who have recently been awarded a grant, funded by the Arts and Humanities Research Council, on ‘Mariners: Religion, race and empire in British ports, 1801-1914′. 

Can you tell us about your latest project? 

We’re really excited to be working together on ‘Mariners’, which brings together our interests in the history of religion, race and empire. Spanning from 1801 to the beginning of the First World War, we are aiming to create a new religious history of missions to seamen. Marine missions were once ubiquitous features of British ports, coasts, canals and lighthouses where their objective was to save the drunken and lascivious sailor from themselves. They evolved into vitally important humanitarian societies which continue to support merchant crews around the world.

We are working in partnership with the Anglican Mission to Seafarers (founded in 1856) and the Hull History Centre to investigate the ways institutional missions grappled with local and global issues, including over-rapid expansion in the age of steam. We have a special interest in the mission work to lascars, the common term for Asian seafarers, who by the later decades of the nineteenth century made up to a third of the British marine workforce. We are also focusing on three port cities – Bristol, Hull and Liverpool – to show how local missions were integrated into port environments and the significance of their legacy today.  

Why is this research important? 

This research highlights the mentalities and realities of working seamen in the age of imperialism and the Christian charities which sought to convert and support them. Many of the problems faced by the merchant marine – from low wages, insecure employment and hazardous conditions to risk of shipwreck, piracy, disease and abandonment – remain just as urgent today. Some Victorians had a sentimental view of the work of missions to seamen, as in La Thangue’s 1891 painting of dockside evangelising. The reality – which is what we want to uncover – was rather different. 

A painting by Henry Herbert La Thangue depicting dockside evanglising, with sailors and missionaries.
Henry Herbert La Thangue, ‘A Mission to Seamen’ (1891). Credit: Nottingham City Museums & Galleries. CC-Non Commercial License.

How will you go about the research? 

One of the key research collections we’ll be using is the Mission to Seafarers archives, deposited in Hull History Centre between 2005 and 2014. There are 98 linear metres of archives, so there’s a lot to get stuck into! Alongside this, a key focus of the project is on Asian seamen, and we’ll be bringing together a huge range of official reports as well as material on dedicated homes for Indian seamen across a number of British ports. We’ve already found some wonderful photos which we’re excited to share in the future. 

Lascars found it particularly challenging to find accommodation in British ports, and there were few places which catered to their needs. We want to find out more about places such as the Mere Hall Hostel for Indian seamen in Liverpool and the London Strangers’ Home for Asiatics, Africans and South Sea Islanders, which opened in 1857.  

Black and white photo of Mere Hall Hostel for Indian Seamen in Liverpool, showing sailors reading and chatting by the fire
Mere Hall Hostel for Indian Seamen, Liverpool. Credit: National Museums Liverpool, Archives Centre, reference B/BROC/7/5/12

Can you tell us about some of the Bristol connections? 

Bristol is and was a significant port, and has always supported charities for poor sailors, including those shipwrecked, disabled and too old to work. The Bristol Channel Mission, founded by John Ashley in 1835, was one of the first organised missions for seamen, later incorporated into today’s worldwide Mission to Seafarers. There was also a Floating Seamen’s Chapel, and even a Home for Seamen’s Orphan Boys, established in 1859 in Brixham, Devon, by William Gibbs, the wealthy owner of Tyntesfield, near Bristol.  

As in other ports, many of Bristol’s sailors’ homes and missions have been destroyed, including the Seamen’s Mission Chapel at 53 Prince Street which was badly damaged in the Bristol Blitz on 2 December 1940. Other sites have been demolished outright, as sailors no longer require the services they used to access in missions, sailors’ homes, or even the wild, old sailor towns. We hope to keep the memory alive of why these places were built and what they tell us about Bristol’s maritime past. 

What impact do you expect the research to have? 

Part of the project will involve some oral history interviews with existing and retired marine chaplains. We’re also going to commission some artistic impressions of marine missions. We’re hoping to include these on our website and in a forthcoming exhibition, and alongside this engage in several public talks and with schoolteachers. We hope our project will deepen understanding of the multi-racial and multi-faith nature of Britain and British maritime history, and we’re excited to see what develops from this. 

What are the next steps? 

We’re looking forward to appointing two postdoctoral researchers, hopefully to start in January 2023, to work closely with us on this project, alongside a dedicated project administrator. We’ll be hosting a conference in 2024 and a visiting exhibition in 2025, but first a dedicated project website should be up next year. Watch this space for more news and links to our activities! 

Find out more about research in the Faculty of Arts. 

Same planet, different worlds: Environmental history conference comes to Bristol

By Professor Adrian Howkins, Department of History

In early July 2022, Bristol will play host to the European Society for Environmental History (ESEH) conference. The conference – which usually takes place every two years – will have the overarching theme of ‘Same planet, different worlds: environmental histories imagining anew’.

This is only the second time the ESEH conference has taken place in Britain, and the first time it is happening in England – the first ever ESEH conference took place in St Andrews in Scotland in 2001. The decision to hold the conference in Bristol reflects the strength of environmental history research at the University of Bristol, as well as the city’s strong environmental reputation. More broadly, it reflects the strength of the University of Bristol in the wider field of environmental humanities, which includes environmental history research.

“Environmental humanities are interdisciplinary areas of research, combining the traditional humanities – such as literature, music, history and languages – with areas including science and technology to better understand the relationship between humans and their surrounding environment, both social and natural. Environmental humanities can help us learn about the environmental challenges of the past, address those of the present, and plan for the future.”

The University of Bristol’s Centre for Environmental Humanities (CEH) in the Faculty of Arts is firmly established as one of the leading centres for environmental humanities research in the UK, and there is a wide range of exciting projects taking place. Do follow our CEH blog to keep up with everything that is going on.

Group of researchers look out across a waterway towards a stone bridge in the distance. The area is grassy with trees in full leaf.
Centre for Environmental Humanities field trip

In preparation for the ESEH coming to Bristol, Adrian Howkins – one of the co-directors of the CEH – spoke to Marianna Dudley and Andy Flack who are organising the conference.

What is the European Society for Environmental History?

[Marianna] The ESEH is the leading scholarly organisation for people interested in environmental issues from a humanities perspective. It is European, but that doesn’t exclude people in other parts of the world working on this topic. It is very inclusive, and has grown to include a wide range of scholars. It offers networking, mentorship, peer-to-peer support, and a discount on the Environment and History journal. It also has by far the best academic conference going, which moves around Europe and is coming to Bristol this summer!

Why is it important that the conference is coming to Bristol?

[Andy] It recognises Bristol’s status as an environmentally aware and activist city as well as recognising that the University is involved in environmental issues through the Centre for Environmental Humanities, the Cabot Institute, and other research centres and clusters. It is the first time the ESEH has been in the UK since the first meeting in 2001 (St Andrews), and the first time in England. The decision to come to Bristol shows that despite political developments like Brexit, the United Kingdom is still at the heart of the European scholarly community studying environmental change. We love living and working in Bristol – it’s a fun, vibrant, welcoming city and we want to show our colleagues from around the world what a great place Bristol is.

What impact do you hope to have as a result of the conference?

[Marianna] It felt more important than ever to have an in-person conference after such a long hiatus due to the Covid-19 pandemic. We’re looking forward to bringing our scholarly community together and reforging the connections that are so important to our work. In terms of academic legacies, we want to spotlight Bristol as a place to study environmental history and environmental humanities. We hope that other scholars around Britain will seek us out for postgraduate research, postdoctoral fellowships, and academic collaborations, maintaining and building the exciting work that is already taking place.

What opportunities are there for our students to get involved in the Centre and/or the Conference?

[Andy] There will be opportunities for students to get involved in the running of the conference. This will put our students in touch with scholars from all around the world. Please get in touch if you might be interested in joining our conference team. If anyone would like to attend the conference to see what it’s all about, we’ll be offering day rates for University of Bristol staff and students to come to talks and meet with conference attendees. There will be interactive environmental art installations, a talk on wildlife film, science and humanities conversations, and a poet in residence.

If you would like to register for the conference, you can find further details here.

A tale of two cities: The historical links between Bristol and Dublin

By Professor Brendan Smith, Professor of Medieval History

When we think of British cities with strong Irish links it is likely to be Liverpool, Glasgow, Manchester, Birmingham and London that first come to mind. In terms of historical longevity, however, no city on this island can match Bristol’s connections with Ireland.

The medieval connections

2021-2 marks the 850th anniversary of the conquest of Ireland by King Henry II of England. During his stay in Dublin at Christmas 1171, the king issued an extraordinary charter whereby he granted Dublin to ‘my men of Bristol’ and gave them permission to colonise their new possession.

Image of King Henry II's charter of 1171 - the paper is old and brown, with elegant script
King Henry II’s charter of 1171 (Dublin City Library and Archive)

Links between the two towns were already strong by this time. Ham Green pottery, manufactured on the banks of the Avon near Pill, was popular in Viking Dublin, and the vigorous trade in slaves conducted between Dublin and Bristol in the eleventh century inspired bitter criticism from churchmen before William the Conqueror and his successors brought this vile commerce to an end. After 1171, many important trading families from Bristol established branches across the Irish Sea, while stone quarried at Dundry, to the south of the city, was transported in large quantities to Ireland for use in the new churches and monasteries that the English began to build.

King Henry II issued an extraordinary charter whereby he granted Dublin to ‘my men of Bristol’ and gave them permission to colonise their new possession.

In February 2022 a symposium focusing on the medieval ties between the two towns was held in Dublin to mark the anniversary of Henry II’s grant. The Deputy Lord Mayor of Dublin welcomed the Lord Mayor of Bristol to the event with a certain wariness, since the original charter of 1171 was never officially revoked!

The age of Edmund Burke and beyond

Statue of Edmund Burke atop a plinth at St Augustine's Parade, Bristol, UK
The statue of Edmund Burke in Bristol
(Credit: Tim Green, Wikimedia Commons, CC BY 2.0)

In Bristol, on 20 April 2022, the University hosted the ‘return match’, with a symposium considering more recent ties between Dublin and Bristol, beginning with the career of the great political philosopher Edmund Burke (1729-1797). Burke was born in Dublin and was educated at Trinity College Dublin before developing a successful political career in England. Between 1774 and 1780 he was MP for Bristol, though his views on a range of issues made him unpopular with the city’s ruling elite. Two fine statues of Burke can still be seen today, one outside the gates of Trinity College Dublin, and the other on St Augustine’s Parade in the centre of Bristol, a few metres in front of the now empty plinth where Edward Colston’s statue once stood.

The University hosted the ‘return match’, with a symposium considering more recent ties between Dublin and Bristol.

The celebratory event

The University was delighted to welcome Ireland’s Ambassador to the UK, Mr Adrian O’Neill, at the recent event, who spoke warmly about the opportunities the day had provided to further strengthen links between Bristol and Dublin. In addition, Professor Martyn Powell (Head of the School of Humanities), Dr Erika Hanna, of the Department of Historical Studies, and Professor Steve Poole of the University of the West of England delivered academic papers and a guest lecture was given in the evening by Professor David Dickson of Trinity College Dublin. To coincide with the event, an exhibition was staged at the venue, displaying some of the important Irish-related materials held in the University of Bristol’s Special Collections department. This included early editions of some of Burke’s published works, as well as a sample of Irish political pamphlets dating from between the eighteenth century and the Easter Rising of 1916. The close ties that have existed between the University of Bristol since its foundation and Trinity College Dublin were also explored in some of the exhibited material.

The future

Following the guest lecture a reception was hosted by the Vice-Chancellor, Professor Hugh Brady, whose Irish background provided a fortuitous link to the day’s events. Professor Brady welcomed to the University Ambassador O’Neill, the Deputy Lord Mayor of Dublin, Councillor Joe Costello, the Lord Mayor of Bristol, Councillor Steve Smith, and members of the Bristol Irish Society. Councillor Costello promised that on his return to Dublin he would continue to work with his counterpart in Bristol to bring about a new twinning arrangement between the two cities. Reviving awareness of the historical links between Bristol and Dublin seems likely to lead to their further strengthening in the years ahead.

Attendees at the 850th Anniversary of Henry II's Grant of Dublin to Bristol, School of Humanities, University of Bristol.
850th Anniversary of Henry II’s Grant of Dublin to Bristol, School of Humanities, University of Bristol.

From left to right: Professor David Dickson (Trinity College Dublin); Ambassador Adrian O’Neill; Bristol Lord Mayor Steve Smith; Professor Hugh Brady (University of Bristol’s Vice-Chancellor); Deputy Lord Mayor of Dublin Joe Costello; Dr Erika Hanna (University of Bristol); Professor Brendan Smith (University of Bristol); Professor Steve Poole (University of the West of England) and Professor Martyn Powell (University of Bristol).

 

Brendan Smith, Professor of Medieval History, is a Dubliner who was educated at Trinity College Dublin. He took up a lectureship at the University of Bristol in 1993. He has published extensively on the links between England and Ireland in the Middle Ages, and in 2018 edited volume I of the four-volume Cambridge History of Ireland, which was launched in Washington, D.C. in September 2018 by Joe Biden, now the president of the United States of America. Professor Smith is currently engaged in research projects examining the financing of English rule in medieval Ireland, with an emphasis on the deployment of Digital Humanities techniques and methodologies. He has received funding from The Jean Golding Institute to work with Mr Mike Jones, from Research IT, on the production of visualisations of the financial data contained in medieval Irish exchequer material. He will be presenting some of the fruits of this collaboration at the Bristol Data and AI Showcase at the MShed on 7 June 2022.

 

A Map of Medieval Bristol

By Professor Helen Fulton, Chair in Medieval Literature, Department of English

Image of the cover of 'Bristol in 1480'
Cover of Bristol in 1480: A Medieval Merchant City

One of my research directions is aimed towards medieval towns and urban culture, especially in the region of the March of Wales. Some while ago I collaborated on an Arts and Humanities Research Council (AHRC) project on medieval Chester which resulted in an online map of the medieval streetscape of the city, with links to its major churches and buildings. This inspired an interest in the possibilities of mapping ­­– both digital and hard copy – as a tool for research, education, and public engagement.

As a Trustee of the Historic Towns Trust (HTT), which produces hard-copy maps of historic towns throughout the UK, I took on the leadership of a project to produce a map of medieval Bristol, which was published in December 2020. I worked in partnership with Professor Peter Fleming at UWE, a renowned expert on medieval Bristol, and a team of local historians and archaeologists from the city of Bristol. Our first job was to decide roughly what period of time would be covered by the map – it is possible to layer maps on top of each other to show features and streetscapes from different periods of time, and some of the HTT maps have done exactly that. For Bristol, however, it made sense to focus quite precisely on the year 1480, when a well-networked Bristolian, William Worcestre, made a survey of the city of Bristol on foot, literally counting how many paces there were between landmarks. Using this survey, together with many other historical records of the city, the team was able to reconstruct the layout of Bristol in 1480, along with its major churches, abbeys, gentry houses, taverns, industrial buildings, and even its water supply.

The production of this unique map was funded partly by public donations and partly by a generous grant from the University of Bristol Knowledge Exchange fund. We used the money to employ a research assistant, Dr Bethany Whalley, who researched the history of the various streets and buildings that are described in the Gazetteer on the back of the map. Crucial information was also supplied by our team of local experts, each of whom had specialised knowledge of the city’s history. I co-wrote the introduction to the map, describing the work of William Worcestre, and edited all the textual information on the map, including the street names and other words on the map itself as well as the Gazetteer. We worked closely with the HTT cartographer, Giles Darkes, whose beautiful artwork makes all the HTT maps stand out not only as useful reference guides but as works of art.

Despite being published during a pandemic lockdown, the map has sold very well and has been the topic of numerous public lectures, in person and online. The map was launched during the Fifteenth Century Conference in early September at St James Priory. We are now planning a workshop at the annual Historical Association conference to be held in Bristol in May 2022, and we are working with an educational consultant to produce a study package for Key Stage 2 students.

History PhD student, Chris Wemyss, tells us about his research and why Arts Matter

People often talk about the creative aspects of Arts and Humanities, but I was drawn towards studying History because I enjoyed the idea of challenging established facts and ideas. This has only grown through my Bachelors and Masters degrees, and now at PhD level I get the chance to design the questions I want to answer, and work out how to answer them.

My PhD research looks at the British community in Hong Kong from 1980 to 2000, tracking how it changed in preparation for the handover of the territory to China in 1997. Researching for this has taken me all over the UK, to the US, and to Hong Kong, allowing me to collect a variety of sources and interview many different people. Now in the final stages of my PhD, I am weaving these sources together to form a narrative that hopefully gives a unique insight into a relative recently period of history.

The Arts and Humanities have a reputation for exclusivity, and distance from the ‘real world’, but I have found this to be patently untrue during my studies. The stories I uncover on a daily basis, through newspapers, diaries, oral histories, letters, and other countless sources, put ordinary people at the centre of the historical narrative. They often have similar hopes and fears as people do today, and provide us with valuable insight into their period, and how it relates to today’s events.

History is also about developing skills that we sometimes take for granted. During my years of study I have learned how to research and find information quickly, comprehend the meaning of documents, and synthesise these into a narrative that can be written up. These skills are useful in everyday life, and I have used them extensively in jobs I have held during my studies.

The best thing about studying History, and the Arts and Humanities, is discovering the links between the city and country you live in, and much wider narratives. It helps give meaning to the streets you walk down everyday, and things we take for granted in everyday life, especially in a deeply historical city like Bristol. It also means that people here are interested in and care about the Arts and Humanities, and the times I have interacted with them at talks, debates, and exhibits have been the most rewarding of my time at university and remind me that arts matter outside the university just as much as inside.